What is Drama by Raina Telgemeier about?

Drama by Raina Telgemeier is a graphic novel that follows Callie, a seventh-grader who loves theater but can't sing, so she becomes the set designer for her middle school's production of Moon Over Mississippi. As Callie navigates building a Broadway-worthy set on a middle school budget, she deals with friendship drama, confusing crushes, and the challenges of working with a diverse crew. The story explores coming-of-age themes while normalizing LGBTQ+ relationships through characters discovering their identities during the theater production.

Who should read Drama by Raina Telgemeier?

Drama by Raina Telgemeier is ideal for middle school readers ages 10-14 (grades 5-8), though it appeals to anyone who has been involved in teenage theater. The graphic novel is perfect for young readers navigating friendships, crushes, and self-discovery, particularly those interested in performing arts or creative expression. It's also valuable for children seeking LGBTQ+ representation, as it normalizes diverse identities without sensationalism. Younger children with advanced reading skills can enjoy it too, while older teens and adults appreciate its authentic portrayal of adolescence.

Is Drama by Raina Telgemeier worth reading?

Drama by Raina Telgemeier is absolutely worth reading as a #1 New York Times bestseller and multiple Eisner Award-winning graphic novel. The book stands out for its authentic portrayal of middle school life, combining humor with meaningful exploration of friendship, inclusion, and determination. Raina Telgemeier's signature technique of blending verbal narrative with pictorial storytelling creates an engaging, fast-paced read that captures the "horrifically wonderful time of adolescence". Its groundbreaking normalization of LGBTQ+ characters has earned widespread praise, though it's also sparked controversy and challenges.

Who is Raina Telgemeier and what inspired Drama?

Raina Telgemeier is an acclaimed American cartoonist and #1 New York Times bestselling author known for graphic novels like Smile, Sisters, Guts, and Ghosts. Drama draws directly from Telgemeier's high school experiences in choir and singing in ensemble for school plays. Although Drama is fiction, several characters are based on real people from her life—the twin brothers Jesse and Justin mirror two of her actual friends and their real-life personalities. Originally conceived as a high school story, Scholastic suggested the middle school setting to better fit the target audience.

What are the main themes in Drama by Raina Telgemeier?

Drama by Raina Telgemeier explores friendship, teamwork, inclusion, and determination through Callie's relationships with her peers during the theater production. The graphic novel tackles coming-of-age themes including navigating crushes, discovering sexuality, and learning about oneself while working toward a common goal. It addresses hegemonic masculinity through characters like Matt and Jesse who struggle with societal expectations of "real men" and ultimately resist toxic masculine norms. The book normalizes LGBTQ+ identities without making them controversial, showing characters discovering themselves naturally through their shared passion for theater.

Who is Callie in Drama by Raina Telgemeier?

Callie Marin is the seventh-grade protagonist of Drama by Raina Telgemeier, a purple-haired girl who loves theater but can't sing well enough to audition for the school play. Instead, she becomes the set designer for Eucalyptus Middle School's production of Moon Over Mississippi, determined to create a Broadway-worthy set on a middle school budget. Callie's vivacious energy, single-minded devotion to theater, and bold personality make her an inspiring and realistic teenage character. Throughout the story, she navigates confusing crushes, budding friendships with twin brothers Justin and Jesse, and various behind-the-scenes challenges.

How does Drama by Raina Telgemeier portray LGBTQ+ characters?

Drama by Raina Telgemeier normalizes LGBTQ+ identities by featuring characters who discover their sexuality naturally without sensationalized coming-out stories or rejection. The character Jesse is openly gay, and West questions whether he's bisexual while navigating relationships throughout the book. In the climactic scene, Jesse saves the play by wearing a dress to replace an actress, ultimately leading to him and West kissing onstage to audience applause. What makes Drama groundbreaking is that "it does not make a big deal that a character is gay"—it simply shows young people discovering themselves through theater.

Why was Drama by Raina Telgemeier banned or challenged?

Drama by Raina Telgemeier became the seventh-most banned book between 2010 and 2019, appearing on the American Library Association's list of top ten most challenged books for its inclusion of LGBTQ+ characters. The graphic novel is currently being reviewed for potential removal from the Matanuska-Susitna Borough School District's shelves. Despite winning multiple awards for normalizing the LGBTQ+ community, conservative groups have challenged the book due to its portrayal of gay and questioning characters, including scenes where Jesse dresses as a female character and kisses West.

Drama - Tutto può accadere sul palcoscenico

a Graphic Novel

Raina Telgemeier

4.18(164100 Reviews)

Panoramica di Drama - Tutto può accadere sul palcoscenico

"Drama" di Raina Telgemeier - una graphic novel per ragazzi che ha scalato le classifiche dei bestseller diventando al contempo il terzo libro più bandito d'America a causa di un singolo bacio gay. Perché questa storia di ragazzi di teatro, cotte e identità continua ad affascinare milioni di persone nonostante i tentativi di mettere a tacere il suo messaggio inclusivo?

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Capitolo 1

The Spotlight Beckons: Middle School Drama Takes Center Stage

"Drama" by Raina Telgemeier has captivated over 3 million readers worldwide since its publication in 2012, becoming a cornerstone of middle-grade graphic novels. This vibrant exploration of middle school theater life has earned its place on the New York Times bestseller list for over 240 weeks-an extraordinary achievement that speaks to its universal appeal. Beloved by celebrities like Lin-Manuel Miranda, who cited it as inspiration for making theater accessible to young audiences, the book has been translated into 18 languages and is frequently used in school curricula nationwide. Despite its popularity, "Drama" has faced challenges in some school districts for its gentle, age-appropriate inclusion of LGBTQ+ characters-a stance that has only strengthened its cultural significance as a beacon for representation in young adult literature. Through Callie's journey in stage crew, Telgemeier crafts a story that resonates deeply with anyone who's ever felt the magic of belonging to something bigger than themselves.

Capitolo 2

Behind the Curtain: Callie's World of Theater

Middle school is complicated enough without adding unrequited crushes and theatrical ambitions to the mix. For Callie, a passionate theater enthusiast with purple-streaked hair and boundless creativity, the stage crew is her sanctuary. When we first meet her, she's nursing a crush on her friend Greg, who has just broken up with his girlfriend Bonnie. In a moment of impulse that many middle schoolers would recognize, Callie kisses Greg, only to face the sting of rejection when he quickly reunites with Bonnie. Rather than dwelling on this disappointment, Callie throws herself into what she loves most-the theater. When Eucalyptus Middle School announces their spring musical, "Moon Over Mississippi," Callie's eyes light up with possibilities. As the newly appointed set designer, her mind races with visions of elaborate stage pieces-a working cannon, period-accurate costumes, and stunning backdrops that would transport the audience to the Civil War era. There's just one small problem: the budget. Like all school productions, "Moon Over Mississippi" must make magic happen on pennies, a challenge Callie embraces with characteristic determination. The theater becomes Callie's refuge from the social complexities of middle school. Within its walls, she finds purpose in creating something beautiful, something that will make audiences gasp. Her sketchbook fills with designs-some practical, others wildly ambitious. She researches Civil War architecture, cannon mechanics, and period furniture, immersing herself in the world she hopes to create on stage. What makes Callie such a compelling character is how her passion transcends typical middle school concerns. While she still experiences crushes and friendship dramas, her identity is firmly anchored in her creative abilities. When she talks about set design, her whole demeanor changes-she stands taller, speaks with authority, and displays a confidence that eludes her in other aspects of life. This transformation reveals an important truth: finding your passion can be a lifeline during the turbulent middle school years, providing both purpose and perspective when social waters get rough. As rehearsals begin, Callie's world expands beyond her initial disappointment with Greg. The theater department becomes a microcosm of middle school society-complete with its own hierarchies, friendships, and tensions-but one where artistic expression provides a common language that bridges differences. In this environment, Callie begins to discover who she is beyond her crushes and social anxieties, setting the stage for the personal growth that will unfold throughout the story.

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Capitolo 3

New Faces in the Spotlight: The Twins Arrive

The theater department's dynamics shift dramatically with the arrival of twins Justin and Jesse. Though identical in appearance, their personalities couldn't be more different. Justin bursts onto the scene with theatrical flair-confident, expressive, and eager to claim the spotlight. Jesse, by contrast, hangs back, quiet and reserved, his talent hidden behind a wall of shyness that Callie immediately wants to help him overcome. During a trip to the mall, Callie witnesses something remarkable. Justin, practicing for his audition, sings with such beauty that passersby stop to listen. More surprising still is Jesse's voice when he reluctantly joins in-equally magnificent but tinged with a vulnerability that touches something in Callie. She can't understand why someone with such obvious talent would hide in the shadows, a question that draws her closer to the mysterious twin. The mall outing marks a turning point in Callie's relationships. Justin, comfortable in his own skin in a way that's rare for middle schoolers, confides in Callie that he's gay. "I've never told anyone at school before," he admits, his usual confidence momentarily replaced by uncertainty. For Callie, this revelation is both educational and affirming-Justin is the first openly gay person she's met, and his trust in her strengthens their budding friendship. "Your secret's safe with me," she promises, a vow that demonstrates her growth from self-absorption to genuine concern for others. Jesse, meanwhile, steadfastly refuses to audition despite Callie's encouragement. "I don't want to be on stage," he insists, though his reasons remain murky. Instead, he accepts Callie's invitation to join stage crew, creating a new dynamic that will complicate her emotional life in unexpected ways. The twins' arrival catalyzes changes throughout the theater department. Justin's talent and openness challenge the status quo, while Jesse's quiet presence on stage crew shifts Callie's focus from her old crush to new possibilities. Through these characters, we see how new perspectives can transform established social ecosystems, creating space for authentic connections that might otherwise never form. What's particularly striking about this section is how naturally these relationships develop. There's no forced drama or artificial conflicts-just the organic complexity of middle school friendships forming against the backdrop of shared interests and mutual respect. As Callie navigates these new connections, we begin to see her world expand beyond her initial disappointments, setting the stage for deeper explorations of identity and belonging.

Capitolo 4

Auditions and Expectations: The Cast Takes Shape

The auditorium buzzes with nervous energy as auditions for "Moon Over Mississippi" begin. Students clutch sheet music, whisper last-minute advice to each other, and pace the hallways practicing their lines. For Callie, watching from the wings as set designer, the process is both fascinating and anxiety-inducing-especially when Bonnie, Greg's girlfriend and source of Callie's heartache, takes the stage with surprising talent. "She's actually really good," Callie admits reluctantly, watching Bonnie nail her audition for the role of Maybelle Johnston. This moment represents a small but significant growth in Callie's character-the ability to acknowledge someone's talents despite personal feelings. Justin approaches his audition for the lead role of Bailey Johnston with characteristic confidence, but faces formidable competition from West Redding, a charismatic senior whose performance leaves everyone speechless. The tension is palpable as Justin finishes his audition, uncertainty flickering across his usually confident face. Meanwhile, Jesse continues to resist performing despite Callie's encouragement. In a moment of impulsive friendship that backfires spectacularly, Callie shouts Jesse's name to the directors, thinking she's helping him overcome his shyness. Instead, she only succeeds in embarrassing him publicly-a well-intentioned mistake that nearly costs their friendship. "Why would you do that?" Jesse demands later, his quiet voice tight with hurt. "Not everyone wants to be in the spotlight." This confrontation forces Callie to recognize that her assumptions about what Jesse needs might be more about her own desires than his-an important lesson in respecting others' boundaries. When the cast list goes up, it brings mixed emotions. Justin lands the role of Colonel Scrimshaw-a good part, but not the lead he coveted. His disappointment is tangible, though he tries to mask it with theatrical bravado. "Colonel Scrimshaw is actually a very important character," he insists, convincing no one, least of all himself. This moment humanizes Justin, showing that beneath his confidence lies the same insecurities and disappointments that plague all middle schoolers. The casting decisions ripple through the social fabric of the theater department, creating new alliances and tensions. Bonnie, cast as Maybelle, makes dismissive comments about stage crew being for "brainiacs," unaware that Jesse has decided to join Callie there. These small conflicts establish the social hierarchy of the production, with performers at the top and technical crew often overlooked despite their crucial contributions. As rehearsals begin, everyone must adjust their expectations to reality. Some thrive in their assigned roles while others struggle to accept them. Through this process, we see how middle school students navigate the gap between aspiration and achievement-a universal experience that transcends the specific context of a school musical.

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Capitolo 5

Backstage Bonds: Finding Connection Through Creation

The workshop where stage crew gathers becomes a sanctuary of creativity and unexpected friendship. Sawdust fills the air as Callie and Jesse tackle their most ambitious project-building a functioning cannon for the Civil War battle scene. Their hands work in tandem, measuring, cutting, and assembling, while their conversation flows with increasing ease. There's something about creating together that breaks down barriers faster than ordinary interaction ever could. "I've never built anything before," Jesse admits, carefully sanding a wooden panel. "It feels good to make something real." This simple statement reveals volumes about his character-his need for tangible accomplishment in contrast to the ephemeral nature of performance that his brother embraces. The stage crew forms its own distinct community within the theater department. Loren, the technical director with her clipboard and no-nonsense attitude, becomes a mentor to Callie. Other crew members-some artistic, some mechanical, all essential-create a diverse ecosystem of talents that must function in perfect harmony for the show to succeed. Unlike the spotlight-driven world of actors, stage crew operates on collaboration rather than competition, a dynamic that suits both Callie and Jesse perfectly. Justin occasionally drifts into their workspace during breaks from rehearsal, creating a bridge between the two worlds. During one such visit, Callie overhears him singing alone in the auditorium-a private moment of pure expression without the pressure of audience or evaluation. The beauty of his voice in this unguarded moment touches her deeply, revealing the authentic artist beneath the sometimes performative personality. As they work side by side day after day, Jesse gradually opens up to Callie about his relationship with his twin. "People always think twins are the same person," he explains while wiring lights for the set. "I've spent my whole life being 'Justin-and-Jesse.' I need to figure out who just Jesse is." This confession illuminates his reluctance to perform-his need to establish an identity separate from his more flamboyant brother drives his choices in ways Callie hadn't understood. Meanwhile, Callie's feelings for Jesse grow stronger. During a break from set construction, she impulsively asks him to practice slow dancing, using the excuse of preparing for the upcoming school formal. As they sway awkwardly among half-built set pieces, her heart races with possibility. When Jesse invites her to visit a specialty theater bookstore, she interprets it as a date-only to discover his father and brother are coming too, deflating her romantic hopes. The car ride to the bookstore becomes an exercise in managing disappointment as Callie realizes Jesse isn't ready to date anyone. A casual comment about asking Liz to the formal "just for appearances" plants the first seed of understanding that Jesse, like his brother, might be gay-a realization that will force Callie to reconsider her feelings and expectations.

Capitolo 6

Technical Difficulties: When Everything Falls Apart

Tech week descends on the production like a whirlwind of stress and last-minute panic. The term "hell week" proves accurate as everything that can go wrong does-costumes split at the seams, light cues misfire, and Callie's precious cannon refuses to work properly. Sleep becomes a distant memory as the crew races against time to solve countless technical problems before opening night. "The confetti poppers keep failing," Callie laments, dark circles under her eyes after her third consecutive night of staying late to perfect the cannon effect. This seemingly small detail has become her personal mission-the cannon must work flawlessly to create the battlefield illusion the audience deserves. Her dedication reveals how seriously she takes her responsibilities, even when no one else might notice these details. Meanwhile, ticket sales remain disappointingly low. The faculty advisor posts daily updates that only increase the pressure on everyone involved. "We need to sell at least fifty more tickets to break even," she announces grimly, making the students feel the weight of adult financial concerns on top of their artistic ones. Backstage, Liz frantically finishes costumes, her fingers pricked and bandaged from countless hours of sewing. The technical crew works through lunches and stays late into evenings, their schoolwork temporarily taking a backseat to the immediate demands of production. This all-consuming nature of theater-the way it temporarily becomes more important than anything else-is captured perfectly in these frantic preparations. As if technical challenges weren't enough, relationship drama erupts at the worst possible moment. West breaks up with Bonnie just before the final performance, sending her into an emotional tailspin. "I can't go on stage," she declares through tears, barricading herself in the dressing room. With no understudy prepared for the role of Maybelle, the entire production teeters on the edge of disaster. In this moment of crisis, Jesse unexpectedly steps forward. "I know all the lines," he admits quietly. "And the songs." Having watched every rehearsal while working on sets, he has absorbed the entire show-a revelation that surprises everyone except perhaps Callie, who has glimpsed his hidden talents before. Jesse's emergency performance saves the show, earning a standing ovation that validates his abilities in the most public way possible. For Callie, watching from the wings, this triumphant moment brings mixed emotions. Jesse's comfort on stage, the chemistry he displays with West during their scenes together, confirms what she has begun to suspect-Jesse, like his brother, is gay. The realization that she's been developing feelings for someone who could never return them in the way she hopes brings a different kind of heartache than her earlier crush on Greg. This convergence of technical challenges and emotional revelations creates a perfect storm that forces each character to reveal their true priorities and feelings. Under pressure, pretenses fall away, leaving authentic connections and painful truths in their wake.

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Capitolo 7

Opening Night and Revelations: The Show Must Go On

The curtain rises on opening night with a mixture of terror and exhilaration pulsing through the theater. Despite the chaotic tech week, everything comes together in that magical way that theater people know so well-the moment when months of preparation transform into living art before an audience's eyes. Callie watches from the wings, breath held as her sets make their debut and her cannon prepares for its crucial moment. When the battle scene arrives, the cannon performs perfectly-confetti exploding across the stage in a convincing simulation of Civil War combat. The audience gasps, exactly the reaction Callie had dreamed of, and in that moment, all the late nights and technical frustrations become worthwhile. This small triumph represents something larger-the satisfaction of seeing a creative vision realized through persistence and problem-solving. The performances exceed everyone's expectations. Justin brings depth to Colonel Scrimshaw that transforms what could have been a secondary role into a memorable character. West commands the stage as Bailey Johnston with the confidence of someone born to perform. And Jesse, having stepped in for the distraught Bonnie, brings a vulnerable authenticity to Maybelle that connects deeply with the audience. As the final notes of "Moon Over Mississippi" fade and applause thunders through the auditorium, the cast and crew experience that unique high that only live performance can provide-the rush of collective achievement, of separate talents merging into something greater than any individual could create alone. Backstage becomes a flurry of hugs, high-fives, and happy tears as everyone processes the emotional release of completion. The after-party transitions seamlessly into preparations for the school formal, with cast and crew changing from costumes to dance attire. Makeup is reapplied, hair restyled, and the energy of performance carries over into anticipation for the evening ahead. For Callie, however, the celebration is tinged with confusion as she processes her feelings about Jesse and his unexpected stage debut. "You were amazing," she tells him sincerely, pushing aside her personal disappointment to acknowledge his achievement. This moment of generosity shows her growth-the ability to celebrate someone else's success even when it complicates her own emotional landscape. The formal itself becomes a whirlwind of shifting relationships and unexpected confessions. West approaches Callie with newfound interest, admitting he's been so caught up missing Bonnie that he failed to notice "the girl he should really have been with was right before his eyes." This sudden attention from someone she barely knows leaves Callie bewildered rather than flattered-a realistic reaction that avoids the cliche of the overlooked girl finally being noticed by the popular boy. Meanwhile, Matt reappears in Callie's life, claiming he wants another chance after previously ignoring her. These competing attentions might once have thrilled her, but now they only highlight how much she's grown beyond seeking validation from others' interest. The Callie who began the story might have jumped at either opportunity; the Callie who emerges from the production has developed stronger self-knowledge and higher standards for connection.

Capitolo 8

Dancing Through Disappointment: Finding New Direction

The school dance transforms from a potential romantic highlight into something more complex as Callie searches for Jesse, who disappeared after claiming he was going to the bathroom. This absence becomes the thread that unravels her remaining illusions about their relationship, leading to a night of emotional revelations and unexpected growth. Liz joins Callie's search, providing both practical help and emotional support. "Boys are complicated," she sighs, sharing her own romantic frustrations. Their conversation reveals how relationship drama permeates the entire social ecosystem-West and Bonnie's breakup has created ripple effects throughout their friend group, with everyone taking sides or getting caught in the crossfire. This moment of female solidarity amid romantic confusion highlights an important aspect of middle school friendships-the way peers help each other navigate emotional terrain that feels impossibly complex. When Matt suddenly reappears in Callie's life at the dance, claiming he wants another chance after previously ignoring her, she's surprised by her own lack of interest. The girl who began the story might have jumped at this attention, but the Callie who emerges from the theater production has developed stronger self-knowledge. "I'm not the same person I was before," she realizes, a quiet epiphany that marks significant personal growth. The most bewildering moment comes when West approaches Callie, confessing that he's been so caught up missing Bonnie that he didn't realize "the girl he should really have been with was right before his eyes." This sudden romantic interest from someone who barely acknowledged her existence before the show leaves Callie more confused than flattered. Rather than falling for this cliche moment, she maintains enough self-awareness to question both his timing and sincerity. When Callie finally locates Jesse, their conversation brings both closure and new understanding. He admits he left the dance to be with West, who is still figuring out his sexuality-a complexity that explains West's conflicted behavior throughout the story. Jesse thanks Callie for helping him emerge from his shell, acknowledging the role her friendship played in his growth. "If I was going to like any girl, it would've been you," he tells her sweetly, offering honest affection within the boundaries of what he can genuinely feel. This conversation, though disappointing romantically, represents something important-authentic communication between friends who respect each other enough to be truthful. Rather than perpetuating misunderstandings or offering false hope, Jesse and Callie achieve a rare moment of complete honesty, allowing both to move forward without resentment or confusion. The dance concludes with an announcement that transforms Callie's evening-she's been named the new stage manager for next year's production. This recognition of her talents and dedication provides a different kind of fulfillment than romantic attention ever could. As she accepts congratulations from the theater director, her mind already fills with ideas for future productions-a clear sign that she's found her true passion.

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Capitolo 9

Curtain Call: The Show Ends, Life Continues

As the school year winds down, the theater department begins the bittersweet process of striking the set. Piece by piece, the world of "Moon Over Mississippi" disappears-flats disassembled, props packed away, costumes returned to storage. For Callie, watching her carefully designed cannon being dismantled brings a surprising emotional punch. "We spent so much time building it," she reflects, "and now it's just gone." This observation captures something essential about theater-its beautiful impermanence, the way months of work culminate in fleeting moments of performance before disappearing forever. Yet what remains after the physical production vanishes are the connections formed during its creation. The theater department has been transformed by their shared experience, with new friendships solidified and old relationships reconfigured. Justin and Jesse have found their respective places-Justin comfortable in the spotlight, Jesse now willing to step into it when needed but equally content behind the scenes. Their individual journeys toward self-acceptance parallel Callie's own growth throughout the story. The final days of school bring a sense of possibility rather than conclusion. Callie's appointment as stage manager for next year gives her a leadership role she's earned through dedication and problem-solving. Her sketchbook fills with ideas for future productions-more ambitious sets, innovative technical solutions, creative ways to maximize their limited budget. What once seemed like insurmountable obstacles now appear as interesting challenges to overcome. Relationships continue to evolve in realistic ways. West and Jesse explore their connection cautiously, away from the drama of school gossip. Bonnie gradually recovers from her heartbreak, finding new confidence through her successful performance despite the backstage turmoil. Greg and Matt fade into the background of Callie's life as she realizes her worth isn't determined by romantic attention. Most importantly, Callie discovers that disappointment doesn't have to define her experience. The unrequited feelings for Jesse transform into genuine friendship based on mutual respect and shared interests. Rather than dwelling on what might have been, she embraces what is-a rich creative life, meaningful friendships, and growing self-knowledge. This ability to find fulfillment beyond romantic validation represents perhaps the most significant growth in her character. In a touching epilogue that breaks the fourth wall, the author reflects on how this story wouldn't exist without her own experiences in theater, choir, and stage crew during high school. Though she only had small roles in productions like "Guys and Dolls" and "Sweeney Todd," being part of the ensemble provided deep satisfaction. The most valuable aspect was the diverse community of creative people involved in productions-from shy actors to dedicated stage managers-whose talents and dedication continue to inspire her work. This personal note underscores the book's central message: theater creates space for all kinds of people to find belonging through collaborative creation. Whether in the spotlight or behind the scenes, each person's contribution matters to the whole. For middle school readers navigating their own complex social landscapes, this vision of community based on shared purpose rather than popularity offers both comfort and inspiration. As the final page turns, we're left not with neat resolutions but with characters in motion-growing, changing, and moving toward futures shaped by their experiences but not limited by them. Just as in real life, the story doesn't truly end but continues beyond the page, carrying all the messy complexity and beautiful potential of early adolescence.

★★★★★

Hai raggiunto la fine di Drama - Tutto può accadere sul palcoscenico

Amato da oltre 1 milione di persone

“Sono passati 23 giorni e l'ho usata ogni giorno. Ora fa parte della mia routine quotidiana.”

jayallen

Temi chiave in Drama - Tutto può accadere sul palcoscenico

theater stagecraft
middle school romance
lgbtq identity discovery
artistic collaboration
social belonging

Citazioni da Drama - Tutto può accadere sul palcoscenico

Middle school is complicated enough.
Finding your passion can be a lifeline.
Your secret's safe with me.
She's actually really good.
Why would you do that?

Personaggi di Drama - Tutto può accadere sul palcoscenico

CalliePassionate set designer and stage crew member
JustinOutgoing twin and talented aspiring performer
JesseShy twin who joins the stage crew
BonnieGreg's girlfriend and theater student

Sull'autore

Raina Telgemeier è l'autrice bestseller n. 1 del New York Times di Drama e una fumettista pluripremiata con l'Eisner Award, nota per aver saputo catturare la complessità emotiva della vita alle scuole medie. Nata nel 1977 a San Francisco, Telgemeier si è laureata alla School of Visual Arts nel 2002 con un diploma in illustrazione.

Drama, la sua prima opera di narrativa, esplora gli alti e bassi del teatro, dell'amicizia e della scoperta di sé attraverso un cast di personaggi adolescenti in cui è facile identificarsi, liberamente ispirati alle sue esperienze personali alle medie.

Prima di Drama, Telgemeier ha creato l'innovativo memoir a fumetti Smile (2010), che cronaca un infortunio dentale e le sue conseguenze, e ha successivamente pubblicato Sisters (2014) e Guts (2019), entrambi memoir acclamati. Ha inoltre adattato l'amata serie Il club delle baby-sitter di Ann M. Martin in quattro graphic novel bestseller. Il lavoro di Telgemeier le è valso un Boston Globe-Horn Book Honor e uno Stonewall Honor, consolidando la sua reputazione di pioniera nel genere del memoir a fumetti per giovani lettori. I suoi libri hanno trascorso collettivamente anni nelle classifiche dei bestseller e continuano a risuonare con i lettori di tutto il mondo.

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Creato da alumni della Columbia University a San Francisco

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Creato da alumni della Columbia University a San Francisco

LOVED BY

1,000,000+ curious minds.

4.7

avg rating

1M+ learners

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

Scopri di piu su come si parla di BeFreed nel web

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Capitolo 9

Drama - Tutto può accadere sul palcoscenico

PanoramicaPanoramica di Drama - Tutto può accadere sul palcoscenico

Un libro. Tanti modi per ascoltarlo.

The Spotlight Beckons: Middle School Drama Takes Center Stage

Behind the Curtain: Callie's World of Theater

Vedi ogni parola mentre la ascolti

New Faces in the Spotlight: The Twins Arrive

Auditions and Expectations: The Cast Takes Shape

Ottieni di più da Drama - Tutto può accadere sul palcoscenico

Backstage Bonds: Finding Connection Through Creation

Technical Difficulties: When Everything Falls Apart

Vedi ogni parola mentre la ascolti

Opening Night and Revelations: The Show Must Go On

Dancing Through Disappointment: Finding New Direction

Ottieni di più da Drama - Tutto può accadere sul palcoscenico

Curtain Call: The Show Ends, Life Continues

Hai raggiunto la fine di Drama - Tutto può accadere sul palcoscenico

Temi chiave in Drama - Tutto può accadere sul palcoscenico

Citazioni da Drama - Tutto può accadere sul palcoscenico

Personaggi di Drama - Tutto può accadere sul palcoscenico

Sull'autore

Scarica il riassunto di Drama - Tutto può accadere sul palcoscenico

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FAQ su questo libro

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Scopri di più

1,000,000+ curious minds.

1,000,000+ curious minds.

Un libro. Tanti modi per ascoltarlo.

The Spotlight Beckons: Middle School Drama Takes Center Stage

Behind the Curtain: Callie's World of Theater

Vedi ogni parola mentre la ascolti

New Faces in the Spotlight: The Twins Arrive

Auditions and Expectations: The Cast Takes Shape

Ottieni di più da Drama - Tutto può accadere sul palcoscenico

Backstage Bonds: Finding Connection Through Creation

Technical Difficulties: When Everything Falls Apart

Vedi ogni parola mentre la ascolti

Opening Night and Revelations: The Show Must Go On

Dancing Through Disappointment: Finding New Direction

Ottieni di più da Drama - Tutto può accadere sul palcoscenico

Curtain Call: The Show Ends, Life Continues

Hai raggiunto la fine di Drama - Tutto può accadere sul palcoscenico

Agli utenti è piaciuto anche

Scopri di più

Panoramica di Drama - Tutto può accadere sul palcoscenico