
In Rainbow Rowell's #1 New York Times bestseller, a reluctant "Chosen One" navigates magical school alongside his vampire roommate. Born from a fictional series within "Fangirl," this beloved fantasy sparked a trilogy that revitalized vampire romance for an entire generation.
Rainbow Rowell is the #1 New York Times bestselling author of Carry On and a prominent voice in young adult and contemporary fiction. Born in Nebraska in 1973, Rowell studied journalism and worked as the first female columnist at the Omaha World-Herald before transitioning to fiction writing.
Carry On (2015) is a fantasy novel exploring magic, friendship, identity, and chosen-one narratives with inclusive storytelling and sharp wit. Originally inspired by the fictional Simon Snow series in her bestseller Fangirl, Rowell expanded it into a complete trilogy with Wayward Son and Any Way the Wind Blows.
Beyond the Simon Snow series, Rowell authored the critically acclaimed Eleanor & Park, which won the 2013 Boston Globe-Horn Book Award, as well as Fangirl and adult novels like Attachments and Landline. She also wrote the 2017 Marvel Comics revival of Runaways. Her books have earned numerous awards and captivated millions of readers worldwide, with Eleanor & Park currently in production as a film adaptation.
Carry On by Rainbow Rowell is a young adult fantasy novel about Simon Snow, a wizard and "Chosen One" attending his final year at Watford School of Magicks. Simon must battle the Humdrum, a magic-eating monster that wears his face, while navigating complicated feelings for his vampire roommate Baz. Published in 2015, this 522-page novel blends ghost story, love story, and mystery elements while subverting typical chosen one narratives.
Carry On is recommended for readers aged 11 and up who enjoy magical fantasy and Harry Potter-style stories. The book appeals to fans of LGBTQ+ romance, enemies-to-lovers dynamics, and stories that critique and reimagine classic fantasy tropes. Rainbow Rowell wrote this for audiences who feel like they don't quite fit in, making it particularly resonant for young adults navigating identity and belonging.
Carry On is worth reading for its clever subversion of chosen one narratives and genuine LGBTQ+ representation. The novel successfully condenses six books' worth of lore into one engaging story without info-dumping, while offering both fun escapism and serious emotional depth. Reviewers praise its rewarding rereads, authentic English dialogue despite Rowell being American, and unpredictable resolution that doesn't patronize its target demographic.
Carry On originated as the fictional fanfiction series from Rainbow Rowell's novel Fangirl, where the main character writes Simon Snow stories. Rowell essentially wrote the full version of that fanfiction as a standalone book, creating what she calls "fanfic of a series that doesn't exist". While Carry On can be read independently without knowledge of Fangirl, understanding this meta-textual origin adds an extra layer of appreciation for the novel's playful, self-aware approach to fantasy storytelling.
Simon Snow and Baz's relationship transforms from enemies to lovers throughout Carry On. Baz is secretly in love with Simon while Simon initially mistakes his obsessive monitoring of Baz as fear rather than affection. Their slow-burn romance features the classic "roommates who hate each other" dynamic before Simon realizes his feelings, culminating in them moving to London together after graduation. The relationship provides genuine LGBTQ+ representation that Harry Potter notably lacked.
The Humdrum is the primary antagonist in Carry On, a magic-eating monster that mysteriously looks exactly like Simon Snow at age ten. This "wonderfully creepy twist" makes the enemy deeply personal for Simon, who has battled the Humdrum throughout his school years. By the novel's climax, Simon defeats the Humdrum by surrendering his magical power to fill the void the creature represents, though this sacrifice leaves Simon powerless.
Simon Snow loses all his magical powers at the end of Carry On after using them to destroy the Humdrum. The Mage, revealed as the true villain, is accidentally killed during the final confrontation. Despite losing his destiny as the Greatest Mage, Simon finds happiness by attending Baz's graduation, publicly embracing their relationship, and moving to London with Baz and Penelope to attend university. Simon learns to build a life of his own choosing rather than following prophecy.
Carry On features prominent LGBTQ+ representation through Simon and Baz's central gay romance. Rainbow Rowell uses this magical world to show that "gay people exist," offering explicit diversity that Harry Potter never achieved. Simon experiences a brief but realistic struggle with understanding his sexual identity when he realizes his feelings for Baz, but the book treats this discovery with sensitivity and authenticity. The inclusive representation is a defining feature that distinguishes Carry On from the fantasy novels it parodies.
Carry On deliberately parodies and critiques Harry Potter while offering its own unique spin on wizarding school stories. Rainbow Rowell addresses issues from the Harry Potter series, including better LGBTQ+ representation and more diverse characters. Unlike Harry Potter's prophecy-driven narrative, Carry On subverts the chosen one trope by having Simon lose his powers and reject his destiny. The magic system uses everyday words and phrases that carry power, rather than Latin-based spells.
The magic system in Carry On uses spoken language, everyday words, lyrics, and rhymes to cast spells. Rather than invented incantations, magicians in Watford wield power through "the very words that carry magic" from common speech. This linguistic approach emphasizes how "spoken language can devastate, revive, or save a person," making magic feel more accessible and connected to real-world communication. The system reflects Rainbow Rowell's interest in how diction and vocabulary impact human interaction.
Carry On has sequels, as Rainbow Rowell continued Simon Snow's story beyond the original 2015 novel. The book was initially written as a standalone conclusion to a fictional series, but readers and Rowell herself wanted more adventures in this world. The continuation allows exploration of Simon's life after losing his powers and his evolving relationship with Baz, expanding the universe that fans found so compelling in the first book.
Carry On is appropriate for readers aged 11 and older, with content suitable for young adult audiences. The book contains no graphic violence, making it accessible for younger readers who enjoy magical fantasy. As a fairly long novel at 522 pages, it's best suited for confident middle-grade readers through adults. The LGBTQ+ romance content is handled age-appropriately, focusing on emotional development and sweet relationship moments rather than explicit content.
Senti il libro attraverso la voce dell'autore
Trasforma la conoscenza in spunti coinvolgenti e ricchi di esempi
Cattura le idee chiave in un lampo per un apprendimento veloce
Goditi il libro in modo divertente e coinvolgente
Simon Snow has never belonged anywhere.
They're locked in a dance of mutual obsession.
I've wanted you since we were children.
Love doesn't have to be another form of self-destruction.
Scomponi le idee chiave di Carry On in punti facili da capire per comprendere come i team innovativi creano, collaborano e crescono.
Distilla Carry On in rapidi promemoria che evidenziano i principi chiave di franchezza, lavoro di squadra e resilienza creativa.

Vivi Carry On attraverso narrazioni vivide che trasformano le lezioni di innovazione in momenti che ricorderai e applicherai.
Chiedi qualsiasi cosa, scegli la voce e co-crea spunti che risuonino davvero con te.

Creato da alumni della Columbia University a San Francisco
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Creato da alumni della Columbia University a San Francisco

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Simon Snow has never truly belonged anywhere. Bouncing between children's homes during holidays, he lives for his return to Watford School of Magicks-the only place resembling home. As the prophesied "Greatest Mage," Simon possesses immense power that explodes rather than flows naturally. While other students describe their magic as drawing from a well or maintaining a ballet position, Simon's erupts like a natural disaster. His final year brings unexpected challenges: his vampire roommate Baz is mysteriously absent, his girlfriend Agatha seems distant, and the Mage-his mentor and only father figure-wants to send him away "for safety." The burden of being the Chosen One has hollowed Simon's sense of self. When asked about his personal dreams or desires, he has no answer. "I just do what's expected," he admits with resignation. His spartan room contains no personal touches, as if he's afraid to claim anything as his own. This burden extends to those around him-Agatha stays partly because it's expected, secretly believing Simon won't survive his final battle with the Humdrum, a mysterious entity creating expanding "dead spots" where magic vanishes completely. Even the Mage sees Simon primarily as a weapon rather than a boy needing guidance. What makes this magical world so compelling isn't just the spells and creatures, but how deeply human its problems feel. Isn't there something universal about feeling like you're expected to be something you're not quite sure how to become?