What is What Lies Between Us by John Marrs about?

What Lies Between Us is a psychological thriller about Maggie, a mother held captive in her attic by her daughter Nina for over three years. The novel alternates between their perspectives, gradually revealing dark family secrets spanning 25 years—including murder, drugging, a stolen baby, and psychological manipulation. John Marrs crafts a twisted tale of maternal sacrifice, revenge, and the devastating consequences of unresolved trauma that ultimately consumes an entire family.

Who should read What Lies Between Us by John Marrs?

What Lies Between Us is ideal for readers who enjoy dark psychological thrillers with unreliable narrators and shocking plot twists. Fans of Gillian Flynn, B.A. Paris, and Stephen King's "Misery" will appreciate the claustrophobic tension and morally complex characters. This book suits readers comfortable with disturbing themes including captivity, violence, and generational trauma. Those seeking a fast-paced, twist-filled narrative that challenges perceptions of maternal love and villainy will find this compelling.

Is What Lies Between Us by John Marrs worth reading?

What Lies Between Us is worth reading if you enjoy psychological thrillers that keep you guessing until the final pages. John Marrs delivers multiple jaw-dropping revelations and maintains intense suspense throughout the alternating narratives. However, the pacing can feel slow in the first half, and the ending may leave some readers wanting more closure. Most reviewers praise the shocking twists and masterful storytelling, though a minority found the conclusion underwhelming. Overall, it's a gripping read for thriller enthusiasts.

What is the relationship between Maggie and Nina in What Lies Between Us?

Maggie and Nina are mother and daughter locked in a deeply toxic, codependent relationship marked by reversed power dynamics. Nina keeps Maggie chained in the attic as revenge for past betrayals, including Maggie secretly drugging Nina to cause miscarriages and giving away Nina's newborn son while claiming he was stillborn. Their relationship evolves from maternal control to captivity to mutual destruction, with neither character fully reliable as they each harbor devastating secrets about murders and psychological manipulation.

What are the major twists in What Lies Between Us by John Marrs?

What Lies Between Us contains several shocking revelations: Nina killed her stepfather Alistair and her boyfriend Jon's girlfriend during psychogenic fugue states with no memory of the murders. Maggie secretly drugged Nina for years and gave away Nina's healthy baby boy, lying that he was stillborn. Bobby Hopkinson, who appears claiming to be Nina's brother, is actually her son Dylan. The final twist reveals Nina also imprisoned Bobby/Dylan in the basement, where he dies in Maggie's desperate fire.

How does What Lies Between Us by John Marrs end?

What Lies Between Us ends tragically when Maggie, suffering from untreated cancer and desperate for freedom, deliberately sets fire to the house. The fire kills both Maggie and Bobby/Dylan (Nina's son), who was imprisoned in the basement without Maggie's knowledge. Nina survives but is arrested when firefighters discover the chained bodies in the rubble. The ending represents Nina's complete psychological collapse and ultimate isolation, consumed by the cycle of trauma and revenge she perpetuated.

Who is Bobby Hopkinson in What Lies Between Us?

Bobby Hopkinson is revealed to be Dylan, Nina's biological son whom Maggie gave away for adoption 20 years earlier while telling Nina her baby was stillborn. He initially approaches Nina claiming to be her brother, and they develop a friendship until Nina's possessiveness drives him away. When Bobby returns to intervene in Nina and Maggie's conflict, Nina attacks him and imprisons him in the basement for ten months, where he tragically dies in the fire Maggie sets.

What are the main themes in What Lies Between Us by John Marrs?

**What Lies Between Us** explores several powerful themes: * **generational trauma** and how unresolved pain destroys families across decades * **maternal sacrifice** taken to devastating extremes * **revenge** and the cyclical nature of violence * **psychological control** and reversed power dynamics * **unreliable perception** as both characters rationalize horrific actions * **fugue states** and dissociative violence * **captivity** both physical and psychological John Marrs examines how secrets, lies, and misguided protection create irreversible damage, ultimately questioning whether any level of maternal love justifies the choices made.

Le passager de trop

John Marrs

4.01(224517 Reviews)

Fiction

Aperçu de Le passager de trop

Maggie est enchaînée dans le grenier de sa fille, payant pour des péchés impardonnables. Ce best-seller vendu à un million d'exemplaires et lauréat du prix International Thriller Writers a captivé la société de production de Renee Zellweger. Qu'est-ce qui pourrait pousser un enfant à emprisonner sa mère ? La réponse est plus dérangeante que vous ne l'imaginez.

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Chapitre 1

The Haunting Legacy of Family Secrets

When Jon Hunter died in prison, Nina felt her world shift. Though he'd been gone for decades, his death reopened wounds that had never truly healed. This psychological thriller by John Marrs has captivated millions of readers since its release, earning praise from celebrities like Reese Witherspoon who called it "impossible to put down" and Stephen King who deemed it "a masterclass in manipulation." The book's exploration of family trauma has made it a book club favorite, with readers debating its moral complexities long after turning the final page. What lies between us isn't just physical space-it's the devastating secrets we keep from those we claim to love.

Chapitre 2

A House of Chains and Memories

Maggie observes the world through dusty shutters from her "crow's nest" bedroom, a once-cherished space now transformed into a prison cell. From this vantage point, she watches her neighbors go about their daily routines - arthritic Elsie shuffling to tend her roses, pregnant Louise waddling to collect her mail, the paperboy's predictable morning rounds. These glimpses of ordinary life serve only to heighten her sense of isolation, making the walls of her confinement feel even more suffocating. Her relationship with her daughter Nina has deteriorated beyond recognition, corroded by years of unspoken grievances and festering resentment. Their Tuesday dinners together - once warm occasions filled with laughter and conversation - have devolved into silent, tension-filled encounters, "the debris left behind by him who destroyed everything." The house itself seems to mirror their fractured relationship: the kitchen and lounge occupy the ground floor, bedrooms and dining room claim the first floor, and Maggie's attic space looms above like a tower in a dark fairy tale. The true horror of Maggie's situation lies beneath this seemingly ordinary domestic arrangement. A medieval-looking chain, its links thick and unyielding, connects her ankle to a metal ring bolted to the floor. The padlocked ankle cuff has left permanent marks on her skin, testament to countless failed attempts at escape. Nina maintains absolute control over every aspect of her mother's existence - from basic necessities like food and bathroom visits to the books she's allowed to read and the times she's permitted to bathe. Their Tuesday ritual unfolds like a grotesque parody of family dinner. Nina arrives precisely at six, producing her ring of keys with mechanical precision. She removes the shorter chain only to replace it with a longer one, allowing Maggie the illusion of freedom to reach the dining room and bathroom. The clink of metal against metal serves as background music to their stilted conversation, a constant reminder of Maggie's captivity. After dinner, the shorter chain returns, and Maggie retreats to her attic prison. "I've bleached your toilet bucket and will see you in a couple of days," Nina announces with clinical detachment, leaving precisely portioned meals outside the door. The food arrives with the same methodical regularity as everything else in Maggie's confined world - breakfast at eight, lunch at one, dinner at six. A photograph of her husband Alistair watches from its place on the wall, deliberately positioned just beyond her reach below the ceiling. Their marriage feels like a dream from "a hundred years ago," its memories growing hazier with each passing day. The books Nina provides - carefully selected biographies of historical captives with their escape chapters strategically removed - mock Maggie's predicament. Like their protagonists, she has become a prisoner in what was once her sanctuary, her home transformed into a fortress of chains and fading memories.

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Chapitre 3

The Librarian's Secret Life

Nina presents two distinct faces to the world. At the Northampton library where she's worked for eighteen years, she's established herself as a competent, detail-oriented professional who knows "every inch of thousands of books and hundreds of shelves." Her encyclopedic knowledge of the collection makes her invaluable to both patrons and colleagues. During staff breaks, her coworkers eagerly share their weekend adventures - Danielle's zipline bruises from an adventure park, Steve's elaborate new tattoo of a phoenix - while Nina deflects personal questions with careful mentions that her mother "didn't have a great weekend," allowing them to draw their own conclusions about her life as a seemingly dutiful daughter caring for an aging parent. But beneath this carefully constructed facade, Nina harbors dark secrets that would shock her colleagues. She doesn't merely borrow books - she methodically steals them, having perfected a system of bypassing security alarms by meticulously removing barcode pages and concealing books inside larger volumes. "I don't like returning anything that enters my house," she explains, revealing a deep-seated need for possession that borders on pathological. This compulsion extends far beyond books; Nina needs to control every aspect of her environment, from the precise arrangement of her furniture to the specific brands of food in her kitchen cabinets. Her buried compassion surfaces in unexpected moments, like when she deliberately leaves her carefully packed lunch - a sandwich and fruit she'll miss - for a homeless woman who frequents the library's reading room. When a disgusted colleague comments on enabling dependency, Nina responds sharply, "I hate watching people suffer." This loaded statement reveals Nina's complex psychology - she understands suffering intimately yet systematically inflicts it daily on her mother through calculated acts of cruelty. Nina's physical life is complicated by hormone replacement therapy for an exceptionally early menopause that began at age twenty, causing her weight to fluctuate dramatically between seasons. She maintains rigid control through daily swims at the Mounts pool before work, pushing herself to complete more laps each session, finding perverse satisfaction in the "burning pain" of physical exertion. The pool's chlorine smell and repetitive motions provide a meditation-like escape from her thoughts. Most significantly, Nina carries permanent physical reminders of her mysterious past - a faded amateur tattoo inside her bottom lip reading "Lolita" that only she can see in the mirror. This hidden mark connects to fragmented memories from her mid-teens that remain "a jigsaw with too many missing pieces." She experiences frequent dissociative episodes, feeling like she's "living half a life, never knowing if what I'm doing today I've done before," suggesting traumatic gaps in her memory that will prove crucial to understanding the twisted, symbiotic relationship with her mother. These memory gaps seem to cluster around specific years in her teens, hinting at buried traumas that shaped her current pathology.

Chapitre 4

Family Bonds Under Strain

The relationship between Nina and Maggie deteriorated significantly following a life-changing event when Nina was fourteen. During a difficult conversation, Maggie had to inform Nina about her father's sudden departure. Nina's emotional response was intense - she became physically agitated and blamed her mother, declaring "I hate you" and holding her responsible for the situation. This traumatic experience marked the beginning of Nina's behavioral changes. The previously well-adjusted teenager began exhibiting concerning behaviors, including academic difficulties, rebellion against household rules, and risky social choices. When Maggie attempted to establish boundaries, Nina responded with defiance and dismissal. The family crisis deepened when Maggie discovered evidence of Nina's pregnancy. Though deeply concerned about the circumstances surrounding this development, Maggie chose to handle the situation independently rather than engage in what she anticipated would be an unproductive confrontation, given Nina's resistant attitude. This decision would have significant long-term implications for both mother and daughter. Following her husband's departure, Maggie faced financial challenges, taking on additional responsibilities at the medical practice where she worked. She aspired to advance to a management position, hoping to create more stability for herself and Nina despite their strained relationship. The situation was further complicated by Nina's involvement with Jon Hunter, an adult musician in his early twenties who performed locally. Their inappropriate relationship began when Nina was fifteen, though she had initially misrepresented her age. When confronted about the age disparity, Hunter displayed concerning attitudes about pursuing relationships with minors. When Maggie attempted to address this inappropriate relationship, Hunter responded with manipulation and threats, suggesting that any intervention would damage Maggie's relationship with Nina and potentially attract unwanted scrutiny from authorities. He exploited Nina's emotional vulnerability regarding her father's absence to maintain control of the situation.

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Chapitre 5

Buried Secrets and Stolen Lives

The central tragedy of Nina and Maggie's lives revolves around Nina's pregnancy at fifteen. What Nina believed was that she gave birth to a daughter named Dylan who died minutes after birth due to a genetic condition called estroprosencephaly that her mother claimed she inherited from her father. Nina was told the baby was buried in their garden, in "a secluded spot with colorful plants and a yellow rose bush." The truth, however, was far more complex. Nina had indeed given birth-to a healthy baby boy, not a girl. Maggie secretly arranged for the infant to be adopted by a couple named Jane and her husband, telling them Nina had a history of mental instability. "I ask Elsie to gather his things while I spend a few final moments alone with Dylan in the basement," Maggie recalled of the night she gave him away. "I hug him, kiss him, and tell him how much I love him, my tears falling onto his dark hair." Maggie justified this deception as protection-both for the baby and for Nina herself. She had discovered that Jon Hunter was simultaneously involved with another pregnant woman, Sally Ann Mitchell. When Nina learned about this relationship, she apparently attacked Sally Ann in a dissociative state, stabbing her repeatedly. Maggie found the bloody scene and, instead of helping the dying woman, chose to frame Hunter for the murder by planting evidence. "I wrap his fingers around the knife and smear blood on his clothes," she remembered coldly. For twenty-three years, Nina believed her baby had died and was buried in their garden. She mourned this loss deeply, placing flowers on what she thought was her daughter's grave and marking birthdays with candles. The truth only emerged when Dylan, now called Bobby, found Nina through Facebook as an adult. Their initial conversations were awkward-he believed they might be half-siblings until he showed her his birth certificate listing Margaret Simmonds as his mother. The revelation that her child had lived all these years without her knowledge sent Nina into a rage. She discovered more of her mother's deceptions: the medication Maggie had given her wasn't prescribed by any doctor but stolen from the medical practice where she worked. Nina found "scores of medication boxes-Moxydogrel, a sedative withdrawn in 1996" that caused memory loss and, as a side effect, early menopause and infertility. She also found Clozterpan, used to induce miscarriage-revealing that Maggie had deliberately terminated Nina's first pregnancy as well. Most devastating of all, Nina discovered men's clothing in the basement-her father's denim jacket, passport, wallet, and golf clubs. "With horror, I realize Dad never left us at all," she recalled. When she dug in the garden where she thought her baby was buried, she instead found "an adult ribcage. I'm standing over my father's body."

Chapitre 6

The Cycle of Captivity and Control

The discovery of her mother's deceptions led Nina to exact a terrible revenge. She drugged Maggie with the same expired medication her mother had once used on her, keeping her locked in the basement during extensive home renovations. She installed triple-glazed shatterproof windows, shutters that allowed Maggie to see out but prevented others from seeing in, and a steel joist with a metal ring in the bedroom floor for attaching custom-made chains ordered from a German fetish website. Nina systematically isolated Maggie from everything she loved-her job, colleagues, friends, freedom, and home. She told Maggie's surgery colleagues she had suffered a stroke that caused vascular dementia. To neighbors, she claimed Maggie was recuperating at her sister Jennifer's in Devon, while telling Jennifer she'd placed her mother in a care home. "I considered my options: leaving her, contacting police, even killing her," Nina admitted. "I seriously contemplated burying her beside my father-the man she murdered. But no matter how much I hate her, I'm not a killer." Instead, she chose a punishment she considered fitting-making Maggie's needs "almost within reach but just beyond her grasp." This role reversal-the once-controlling mother now controlled by her daughter-created a disturbing symmetry in their relationship. Nina justified her actions as justice for what Maggie had taken from her: "Her crime was swift and brutal; my punishment will be long and drawn out. She will pay for taking away my father and my son." Yet Nina's revenge brought her little satisfaction. The responsibility of caring for her captive mother while maintaining the appearance of normalcy drained her energy. She began secretly crushing Moxydogrel into Maggie's food to sedate her when she became troublesome, perpetuating the same cycle of medication and control her mother had used on her. When Maggie discovered a lump in her breast, Nina faced a dilemma. She couldn't take her mother to a doctor without exposing what she'd done, but letting her die of untreated cancer wasn't part of her plan. Nina's solution-alternative remedies like chamomile, omega-3, and St. John's wort-revealed her inability to truly face the consequences of her actions.

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Chapitre 7

The Fragile Nature of Identity and Memory

At the heart of Nina and Maggie's tragic relationship lies the question of memory and identity. Nina suffers from significant memory gaps, particularly surrounding traumatic events from her teenage years. These aren't simply forgotten memories but actively repressed ones-what Maggie calls "psychogenic fugue," a psychological state where someone loses awareness of their identity as a defense against trauma. The most significant of these repressed memories involves Nina's father. While Nina believed for decades that her father abandoned them, the truth was far more disturbing. Maggie witnessed fifteen-year-old Nina killing her father with a golf club after he emerged from her bedroom late at night. "Nina swings something at her father's head with a dull thwack," Maggie recalled. "As Alistair falls to the floor and tries to crawl away, she delivers two more brutal blows until he stops moving." Maggie never revealed what she suspected had happened between father and daughter, but she chose to protect Nina by hiding the body and creating the abandonment story. When Nina woke the next morning, she had no memory of what she'd done. This pattern of violence followed by amnesia would repeat itself years later when Nina apparently attacked Sally Ann Mitchell and, most tragically, when she attacked her own son Dylan after he discovered Maggie's imprisonment. The medications Maggie administered to Nina-ostensibly to help her through depression after her "stillbirth"-actually served to maintain these memory gaps. "I've been restlessly moving around the house, hearing her crying behind the bathroom door," Maggie remembered of the day she gave Nina the first doses. The drugs created "a dense fog, making it hard to distinguish reality from imagination." Years later, when Nina discovered these deceptions, she turned the same tactics against her mother. Yet even as she imprisoned Maggie, Nina experienced her own episodes of dissociation and violence. When confronting Dylan's adoptive mother Jane, Nina described seeing her "surrounded by shades of red and black, consumed by the need to punish her for taking my son." This cyclical nature of trauma and violence raises questions about identity and responsibility. If Nina truly cannot remember her violent actions, is she fully responsible for them? If Maggie's intentions were to protect her daughter, does that justify the magnitude of her deceptions? The novel offers no easy answers, instead presenting the devastating consequences of secrets kept in the name of love and protection.

Chapitre 8

The Devastating Power of Misguided Love

Both Nina and Maggie's actions, however monstrous, stem from a twisted form of love that demonstrates how good intentions can spiral into destructive obsession. Maggie genuinely believed she was protecting Nina by hiding her father's death, giving away her baby, and maintaining her in a drugged state to prevent the return of traumatic memories. "For the rest of my life, her safety and mental well-being will be my only priorities," Maggie vowed after giving Dylan away. This maternal instinct, warped by fear and control, led her to make increasingly extreme decisions that ultimately robbed Nina of her agency and truth. Similarly, Nina's obsession with reclaiming her son came from a place of profound loss and longing that consumed her entire being. When she finally met Dylan as an adult, she described feeling "unprecedented joy" and noticed their physical similarities "with delight." She cataloged every shared trait - from the way they both tilted their heads while thinking to their identical laugh - as proof of their unbreakable bond. Her desire to be part of his life became all-consuming, leading her to make increasingly inappropriate demands, from showing up uninvited at his workplace to attempting to sabotage his relationship with his adoptive parents. This escalating behavior eventually contributed to the tragic confrontation that ended with his death. The novel masterfully explores how love can become possessive and destructive when it lacks boundaries and respect for others' autonomy. Maggie never allowed Nina to make her own choices or face the consequences of her actions, instead making life-altering decisions on her behalf. She justified each transgression as necessary protection, creating an elaborate web of lies that ultimately trapped both women. Nina, in turn, could not accept Dylan's desire to maintain his relationship with his adoptive parents, feeling entitled to his love and loyalty simply because of their biological connection. Her inability to see him as an independent person with his own needs and choices reflected her damaged understanding of love. This possessive love extends to physical spaces as well, with the house itself becoming a powerful metaphor for their twisted relationship. The once-grand family home transforms into a battleground divided into territories, with locked doors, chains, and barriers marking invisible boundaries. Nina's chilling insistence that she doesn't "like returning anything that enters my house" speaks to her inability to let go, whether of objects, people, or grudges. The house becomes both sanctuary and prison, its dark corners holding decades of secrets and pain. By the novel's devastating conclusion, both women have become prisoners of their own making - Maggie physically chained in the attic, Nina psychologically chained to her cycles of violence and amnesia. When Maggie sets fire to the house, taking herself and (unknowingly) Dylan with her, she makes a final choice to end the cycle in the only way she can imagine. The flames become both destruction and purification, consuming the physical manifestation of their toxic love while leaving behind an indelible legacy of tragedy.

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Chapitre 9

When Truth Becomes Unbearable

The final tragedy of "What Lies Between Us" is that truth, when finally revealed, proves more devastating than the lies that preceded it. When Nina discovers her father's body and learns about her son's survival, she doesn't experience liberation but rage. When Maggie learns that Nina has killed Dylan, she loses her last reason to live. When the authorities discover the burned house with two chained bodies inside, they begin unraveling a horror story that will destroy whatever remains of Nina's life. The novel suggests that some truths are too painful to bear-that the human mind will go to extraordinary lengths to protect itself from unbearable knowledge. Nina's psychogenic fugue states, her selective amnesia about violent episodes, and her inability to acknowledge her role in Dylan's death all point to a mind fragmenting under the weight of trauma. Maggie's final act-setting fire to the house-represents both surrender and a last desperate attempt at control. "I finally understand that while Nina thought she was missing a son, what she truly lacked was a sense of self," she realizes. "And I was wrong about myself too. My knowledge gave me the freedom I craved mentally, if not physically." As the house burns around her, Maggie takes comfort in knowing that "the smoke will kill me before the flames reach me." She smiles, believing she has very few breaths left. What she doesn't know is that Dylan is chained in the basement, that her attempt to escape will claim his life as well, and that Nina will be left to face the consequences of their shared tragedy alone. When Nina arrives at her burning house and learns that two bodies have been found inside-"one in the basement, one in the attic-both with chains on their ankles"-she experiences one final dissociative episode. "Everything darkens as I feel myself slipping away, being pulled backward into a tunnel until all I see is black. Just black." This darkness represents the ultimate escape-not just from accountability, but from unbearable knowledge itself. In this powerful exploration of family secrets, trauma, and the devastating consequences of misguided love, John Marrs reminds us that what truly lies between us isn't just the physical space we inhabit, but the truths we cannot bear to acknowledge and the wounds we pass from one generation to the next.

★★★★★

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Thèmes clés dans Le passager de trop

maternal incarceration
intergenerational trauma
pathological control
domestic revenge
cycle of abuse

Citations de Le passager de trop

What lies between us isn't just physical space-it's the devastating secrets we keep.
"the debris left behind by him who destroyed everything."
"I don't like returning anything that enters my house,"
"I hate watching people suffer."
I'm living half a life, never knowing if what I'm doing today I've done before.

Personnages de Le passager de trop

NinaA librarian who keeps her mother captive
MaggieNina's mother, chained in an attic prison
Jon HunterA man who died in prison, linked to Nina's past
AlistairMaggie's husband, seen in a photograph

À propos de l'auteur

John Marrs est l'auteur à succès de What Lies Between Us et un maître des thrillers psychologiques qui explorent les recoins les plus sombres de la nature humaine. Fort de 25 ans d'expérience en tant que journaliste indépendant interviewant des célébrités pour de grandes publications telles que The Guardian, Total Film et OK! Magazine, Marrs apporte une compréhension aiguisée du comportement humain à ses récits captivants.

Il écrit à la fois des thrillers psychologiques et de la fiction spéculative souvent comparée à Black Mirror, mêlant harmonieusement le suspense à des thèmes stimulants tels que les secrets, la tromperie et la complexité morale.

Ses autres œuvres acclamées incluent The One, The Good Samaritan, The Passengers et Her Last Move. Basé dans le Northamptonshire, en Angleterre, Marrs est devenu auteur à plein temps en 2018, et ses livres ont depuis été traduits dans plus de 20 langues.

Son roman The One est actuellement adapté en une série majeure sur Netflix, consolidant son statut comme l'une des voix les plus fascinantes de la fiction psychologique contemporaine.

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"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

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Chapitre 8

Le passager de trop

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Un livre. De nombreuses façons de l'écouter.

The Haunting Legacy of Family Secrets

A House of Chains and Memories

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The Librarian's Secret Life

Family Bonds Under Strain

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Buried Secrets and Stolen Lives

The Cycle of Captivity and Control

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The Fragile Nature of Identity and Memory

The Devastating Power of Misguided Love

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When Truth Becomes Unbearable

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1,000,000+ curious minds.

1,000,000+ curious minds.

Un livre. De nombreuses façons de l'écouter.

The Haunting Legacy of Family Secrets

A House of Chains and Memories

Voyez chaque mot au fil de l'écoute

The Librarian's Secret Life

Family Bonds Under Strain

Profitez davantage de Le passager de trop

Buried Secrets and Stolen Lives

The Cycle of Captivity and Control

Voyez chaque mot au fil de l'écoute

The Fragile Nature of Identity and Memory

The Devastating Power of Misguided Love

Profitez davantage de Le passager de trop

When Truth Becomes Unbearable

Vous êtes arrivé au bout de Le passager de trop

Les utilisateurs ont aussi aimé

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