
Written by a 17-year-old who turned cafeteria gossip into a New York Times bestseller, "The DUFF" explores how everyone feels like "the least attractive person" sometimes. This teen-authored phenomenon sparked crucial conversations about self-image before becoming a five-time Teen Choice Award-nominated film.
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Bianca Piper isn't your typical teenage girl. Cynical and sharp-tongued, she prefers sitting at the bar drinking Cherry Coke while her gorgeous friends dance at the local teen club. Her world shatters when Wesley Rush, the school's notorious womanizer, approaches her with a devastating revelation: she's the "DUFF" - the Designated Ugly Fat Friend - of her group. His theory? By chatting with the least attractive friend, he improves his chances with the hot ones. That single moment changes everything. Suddenly, Bianca sees herself through Wesley's cruel lens - examining her wavy auburn hair, long nose, thick thighs, and small breasts with new, critical eyes. Though she throws her drink in his face, the damage is done. The word "DUFF" burrows deep into her consciousness, becoming the lens through which she views herself and her relationships. Isn't it astonishing how one casual comment can completely reshape our self-perception? What makes this moment so powerful is how Bianca keeps Wesley's cruel label to herself, creating that all-too-familiar disconnect between her internal experience and the face she presents to the world. It's that feeling many of us know too well - that no one sees the real you or understands your private pain.
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Cree par des anciens de Columbia University a San Francisco
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Cree par des anciens de Columbia University a San Francisco

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