
In "Frenemies," Ken Auletta masterfully dissects advertising's digital revolution, where Google and Facebook are both allies and threats. What happens when Mad Men's intuition gives way to algorithms? Just ask Sir Martin Sorrell - this industry earthquake affects every ad you see.
Ken Auletta, bestselling author of Frenemies: The Epic Disruption of the Ad Business (And Everything Else), is a premier media critic and longtime chronicler of digital-age transformations. A staff writer for The New Yorker since 1992, where he launched the Annals of Communications column, Auletta has built a five-decade career dissecting media empires, technological upheavals, and corporate power struggles.
His expertise in tracking industry disruptions stems from landmark works like Three Blind Mice: How the TV Networks Lost Their Way and Googled: The End of the World as We Know It, which established him as a leading analyst of Silicon Valley’s cultural impact. Frenemies continues this tradition, blending investigative rigor with profiles of advertising giants and tech titans like Google and Facebook.
Auletta’s twelve books include five national bestsellers and National Magazine Award-winning journalism, with his Ted Turner profile securing the 2001 honor. His insights regularly appear in major media outlets, and he’s been recognized by the Columbia Journalism Review as America’s foremost media analyst. His 2022 exposé Hollywood Ending: Harvey Weinstein and the Culture of Silence further cemented his reputation for tackling complex power dynamics. Googled alone has been translated into 20 languages, underscoring Auletta’s global influence on business and technology discourse.
Ken Auletta’s Frenemies explores the existential crisis facing the $2 trillion advertising industry as it grapples with digital disruption, data-driven technologies, and shifting power dynamics. The book examines how traditional agencies, tech giants like Facebook and Google, and consultancies vie for dominance, turning former allies into competitors. Key figures like WPP’s Sir Martin Sorrell and MediaLink’s Michael Kassan illustrate this turbulent transformation.
Marketing professionals, advertisers, media executives, and anyone interested in digital disruption’s impact on traditional industries will find this book essential. It’s also valuable for readers analyzing how Silicon Valley’s rise reshapes legacy sectors, offering insights into corporate strategy, data ethics, and the erosion of trust between industry stakeholders.
Yes. Despite being published in 2018, its themes—tech dominance, in-house marketing shifts, and the collapse of traditional advertising models—remain relevant. Auletta’s deep reporting on platforms like Facebook and consultancies like Accenture provides a framework to understand current AI-driven ad trends.
“Frenemies” describes relationships where companies simultaneously collaborate and compete. Examples include:
Auletta portrays them as disruptive “frenemies”:
Both platforms face criticism for lack of transparency and brand safety issues.
While Googled (2009) chronicled Silicon Valley’s rise, Frenemies focuses on its downstream effects:
Some reviewers note:
Key factors include:
As MediaLink’s CEO, Kassan emerges as the industry’s power broker, connecting brands, agencies, and tech platforms. His influence underscores the shift from long-term partnerships to transactional, project-based deals.
The book’s analysis of data’s rising dominance (e.g., Google’s algorithms) foreshadows AI’s current role in ad targeting and content creation. Its warnings about transparency and ethics remain urgent as generative AI disrupts creative workflows.
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Agencies are now treated as vendors rather than strategic partners.
Marketers were now the unacknowledged legislators of the world.
Are you working for me or for the media company? I'm paying you!
Marketers must learn to befriend the machine.
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Your attention span is now eight seconds. A goldfish? Nine. Let that sink in for a moment-we've officially been outpaced by a creature that forgets it's swimming in circles. This isn't just a quirky statistic; it's the existential crisis haunting a trillion-dollar industry. Welcome to the world of modern advertising, where the very people who built empires on capturing your attention now struggle to hold it for the length of a Vine video. The advertising industry-once the unshakeable force that decided what America watched, bought, and believed-finds itself in a battle for survival. Traditional agencies, Silicon Valley tech giants, management consultancies, and increasingly skeptical consumers have become locked in a complex dance of cooperation and competition. They're "frenemies," to borrow the industry term: partners one moment, rivals the next, all fighting over the same shrinking resource-your fleeting attention.
In March 2015, former MediaCom CEO Jon Mandel dropped a bombshell on America's top marketing executives: advertising agencies were secretly pocketing kickbacks of 18 to 20 percent - hundreds of millions of dollars belonging to their clients. Agency executives erupted in fury. Some denied everything. Others admitted transparency problems, particularly in digital advertising. But the damage was done. The revelation triggered "pitchapalooza" - a massive wave of reviews that reshuffled $50 billion in advertising business and shattered decades of client-agency trust. At the center stood Michael Kassan - advertising's ultimate power broker. His company MediaLink would orchestrate two-thirds of those reviews, earning fees from all sides.
Don Draper's world is dead. The era when creative titans could demand clients accept their vision has vanished. In Draper's day, agencies earned 15 percent commissions, creative geniuses like Bill Bernbach ruled through instinct, and partnerships lasted decades. Today? "Clients are not married to an agency," notes Michael Kassan. "They are only dating." The 2008 financial crisis shifted power to procurement officers demanding measurable ROI, slashing agency fees by a third to half. The average CMO now lasts just two years, each typically bringing fresh agencies and demanding cost reductions. The information explosion accelerated the decline. In 2007, Apple launched the iPhone, Facebook opened to everyone, and Amazon introduced Kindle. Mobile phones commanded more attention than television, data analytics replaced gut instinct, and consumers could skip ads entirely. Industry anxiety manifests in desperate rebranding and talent exodus. A 2016 survey found 47 percent of marketing veterans report low morale. LinkedIn ranked advertising dead last for work-life balance. But for Michael Kassan, chaos represents opportunity: "That continued disruption is kind of a blessing in disguise for us."
Michael Kassan is advertising's supreme connector-the person who knows everyone, introduces everyone, and profits from everyone. His superpower? Turning disasters into bonding moments. When he accidentally pulled out a Verizon phone in front of an AT&T executive, he instantly smashed it on the pavement. The client loved it. Raised in modest Brooklyn by a former Catskills comedian father, Kassan became a lawyer but discovered his real talent was rainmaking. After an embezzlement conviction (later reduced and expunged), he rebuilt. In 2003, he founded MediaLink, and after Wenda Millard joined in 2009 with one-third ownership, "the business exploded." MediaLink positioned itself at the intersection of Madison Avenue, Silicon Valley, Hollywood, and Wall Street-handling agency reviews and executive searches. Yet this universality creates controversy. Critics compare MediaLink to "the Mafia"-you pay for protection. MediaLink represents rivals like Facebook and Google simultaneously. Kassan personally invests in companies he might recommend to clients. His defense? "No conflict, no interest." As he jokes: "Two clients in a category is a conflict, three is a specialty."
Facebook claims to help agencies adapt to mobile marketing, but Martin Sorrell sees through it: "Facebook is essentially a media company that refuses to share valuable user data." By 2016, Facebook and Google's "digital duopoly" captured 85 percent of new digital ad spending. Facebook's advertiser base exploded from half a million in 2011 to five million by 2016, with sophisticated targeting tools letting companies bypass agencies entirely. Why pay a middleman when you can target customers yourself? The tech giants became true "frenemies" - simultaneously partners and existential threats. Amazon looms largest. With vast consumer data, cloud computing power, and almost half of all online retail sales, Amazon increasingly enters client businesses - making products that compete with Procter & Gamble, challenging Walmart, buying TV shows, selling food. "If I ask my clients what they worry about most," Sorrell says, "they say Amazon." The shift from "Mad Men" to "Media Men" to "Math Men" captures this transformation. Data scientists and software engineers now command premium salaries. Programmatic advertising - using machines to deliver individualized messages - accounted for $19 billion in global digital spending by 2016. Yet technology brings massive problems. Digital fraud cost advertisers $12.5 billion in 2016. Algorithms place ads on racist, extremist, and pornographic sites. Facebook admitted overestimating video viewing times by up to 80 percent, then acknowledged ten more measurement mistakes. P&G's Marc Pritchard declared: "The days of giving digital a pass are over."
Trump's 2016 election demolished advertising orthodoxy. Outspent by rivals, he leveraged nearly $2 billion in "free media" through provocative statements. Celebrity endorsements backfired for Clinton, reinforcing her "elitist" image. Yet his campaign validated targeting-through data mining and direct social media, he built a Nike-like community of supporters. The central question: are interruptive ads obsolete? Netflix, YouTube, DVRs, and ad blockers enable mass avoidance. Americans get 62 percent of news from Facebook; 90 percent use second screens while watching TV. We're drowning in information but starving for attention. Mobile phones changed everything-personal, persistent, ubiquitous. With 5G, transformation accelerates: instant downloads, omnipresent video ads, virtual reality experiences. The industry built on interruption faces consumers who despise it. New approaches emerge: stores as attractions (Apple), community spaces (Starbucks), publicity-generating products (Tesla). The "brought to you by" model returns-brands woven into programming. Native advertising projects $21 billion by 2018. Brands champion causes, though missteps like Pepsi's Kendall Jenner protest ad prove disastrous. Data-driven targeting dominates advertising's future, but privacy concerns and stagnant median incomes challenge this model. With households paying $267 monthly for subscriptions, few can afford more paywalls.
We're witnessing the collapse of an industry that shaped American culture for a century. The advertising world built on capturing attention is losing the attention war to the technologies it's trying to master. But this transcends industry drama-it's about the fundamental relationship between companies and consumers. In a world where your phone knows you better than your best friend and algorithms predict your desires before you feel them, what happens to choice? To discovery? To stumbling upon something you didn't know you needed? As consumers, we're caught between wanting personalized experiences and fearing surveillance, demanding free content and resenting intrusive ads. The companies that navigate this tension-adding value without annoying, building community without exploiting, using data without creeping us out-will thrive. The rest will join the goldfish, swimming in circles, wondering where everyone's attention went.