Chasing Hillary: On the Trail of the First Woman President Who Wasn't book cover

Chasing Hillary

On the Trail of the First Woman President Who Wasn't

Amy Chozick
3.73 (2169 Reviews)

Aperçu de Chasing Hillary

Journey inside Hillary Clinton's failed presidential bid through the eyes of a New York Times reporter. Described as "The Devil Wears Prada meets The Boys on the Bus," this bestseller reveals campaign secrets that left Mary Karr calling it a "breathtaking, page-turning masterpiece."

Thèmes clés dans Chasing Hillary

  • political campaign journalism
  • media gender bias
  • press access management
  • candidate image construction
  • reporter source dynamics

Citations de Chasing Hillary

  • What happened in Flint is immoral.

  • They are angry. She isn't.

Personnages de Chasing Hillary

  • Amy ChozickThe author and reporter covering the campaign
  • Ruby CramerA reporter who covered the Clinton campaign
  • Jill AbramsonA veteran journalist who advised the author

À propos de l'auteur

À propos de l'auteur de Chasing Hillary

Amy Chozick, author of the critically acclaimed memoir Chasing Hillary: Ten Years, Two Presidential Campaigns, and One Intact Glass Ceiling, is an award-winning political journalist and New York Times contributor known for her incisive coverage of American politics.

Born in San Antonio, Texas, and educated at the University of Texas at Austin, Chozick built her career at The Wall Street Journal before joining The New York Times, where she spent a decade reporting on Hillary Clinton’s presidential campaigns and corporate media landscapes.

Her memoir blends sharp political analysis with dark humor to explore themes of gender, power, and media culture, drawing from her firsthand experiences embedded with Clinton’s inner circle. Chozick co-created the 2024 Emmy-nominated drama series The Girls on the Bus, adapted from her book’s insights about women in journalism.

A frequent commentator on CNN and MSNBC, she continues writing for The New York Times Magazine while developing television projects. Chasing Hillary became a cultural touchstone, praised for its unflinching portrayal of modern politics and later adapted into a Max Original series starring Melissa Benoist.

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FAQ sur ce livre

Chasing Hillary chronicles Amy Chozick’s decade covering Hillary Clinton’s presidential campaigns, blending memoir with political journalism. It offers behind-the-scenes insights into Clinton’s 2016 race, the media’s role, and Chozick’s personal growth, revealing tensions between press access and campaign control. The book dissects Clinton’s historic bid, her connection with voters, and the systemic challenges faced by women in politics.

Political junkies, media analysts, and readers interested in the 2016 election will find this book compelling. It appeals to those exploring gender dynamics in leadership, campaign journalism, or seeking a candid account of Clinton’s strengths and missteps. Fans of memoirs with sharp, humorous prose will also enjoy Chozick’s introspective storytelling.

Yes, for its unique blend of personal narrative and campaign analysis. Chozick’s witty, self-aware voice and access to Clinton’s orbit provide fresh perspectives on media bias, sexism in politics, and the emotional toll of covering a historic election. Critics praise its readability but note it prioritizes the author’s journey over deep policy insights.

The book portrays Clinton’s campaign as a cautious, data-driven effort hampered by distrust of the media and an inability to counter Trump’s populist rhetoric. Chozick highlights internal clashes, Clinton’s reluctance to embrace her “glass-ceiling-breaking” narrative, and the campaign’s failure to address voter disillusionment, culminating in a shocking defeat.

Chozick critiques the symbiotic yet adversarial relationship between the press and Clinton’s team. She reveals how journalists navigated limited access, pre-written “victory” narratives, and bias accusations, while Clinton’s aides strategically controlled messaging. The “bubble” mentality of the press corps is scrutinized for skewing election coverage.

Yes, the email controversy is framed as a recurring distraction that solidified Clinton’s image as secretive. Chozick details how the campaign underestimated its impact, with staffers dismissing it as a “press obsession” rather than a voter concern, exacerbating distrust among key demographics.

Some argue the book overemphasizes Chozick’s personal anecdotes and media-centric viewpoint, offering limited analysis of Clinton’s policies or systemic election issues. Critics also note its focus on the author’s quest for approval from Clinton’s team, which occasionally overshadows broader political insights.

Unlike traditional political analyses, Chozick’s memoir blends self-reflection with campaign drama, akin to The Devil Wears Prada meets The Boys on the Bus. It’s less policy-focused than Shattered but offers a sharper critique of media dynamics and gender bias.

Chozick reflects on her career, marriage, and societal expectations for women, drawing parallels to Clinton’s struggles. Her candid accounts of freezing eggs, workplace sexism, and post-election disillusionment humanize the journalist’s role in high-stakes politics.

The book underscores the fragility of political narratives, the media’s struggle to balance objectivity and access, and the enduring sexism shaping women’s leadership. It also highlights how campaigns often prioritize optics over authentic voter engagement.

Chozick examines how Clinton navigated double standards, from scrutiny over her appearance to accusations of inauthenticity. The book contrasts Clinton’s guardedness with Chozick’s own experiences of sexism, arguing that women in power face impossible expectations to be both relatable and authoritative.

  • “Hillaryland was a place where loyalty mattered more than truth.”
  • “Covering Hillary felt like chasing a feminist ghost.”
  • “The press made her, and the press undid her.”

These lines encapsulate the book’s themes of media complicity, Clinton’s enigmatic persona, and the cost of ambition in a misogynistic landscape.

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