
Booker Prize-winning masterpiece weaving family secrets, political upheaval, and a novel-within-a-novel. Atwood's layered narrative explores trauma, power, and female relationships during Canada's turbulent mid-20th century. Literary scholars still debate: which story reveals the true blind assassin?
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What happens when you discover that everything you believed about a beloved story was a carefully constructed lie? Margaret Atwood's "The Blind Assassin" opens with a suicide - Laura Chase drives off a bridge ten days after World War II ends - and then spends the next five hundred pages unraveling why. But this Booker Prize-winning masterpiece isn't just a mystery. It's a meditation on how we construct meaning from memory, how power shapes the stories we're allowed to tell, and how silence can be both survival strategy and slow poison. Iris Chase Griffen is eighty-two, her heart failing, her time running out. From her cramped apartment in Port Ticonderoga, Ontario, she finally decides to tell the truth about her sister's death and the scandalous novel that followed it. Her narrative unfolds in fragments - memoir, newspaper clippings, obituaries - but the most compelling thread is the novel itself, "The Blind Assassin," supposedly written by Laura before her death.
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