What is "I Want to Tell You" by O.J. Simpson about?

"I Want to Tell You" is O.J. Simpson's first public response after his 1994 arrest for the murders of Nicole Brown Simpson and Ronald Goldman. The book juxtaposes Simpson’s personal commentary and reflections with letters from over 300,000 supporters, addressing his innocence, relationship with Nicole, parenting, media scrutiny, and racism. It frames itself as an "emotional and factual self-portrait" of his mindset during incarceration.

Who should read "I Want to Tell You"?

This book targets true crime enthusiasts, students of high-profile legal cases, or those analyzing Simpson’s shifting narratives. Readers interested in media manipulation, celebrity trials, or the psychology of denial will find value. However, it offers minimal insight for casual readers due to its self-serving tone and factual inconsistencies.

Is "I Want to Tell You" worth reading?

Only for academic or case-specific research. The book lacks substantive revelations and is widely criticized as a financial ploy. Its portrayal of Simpson’s "loving" marriage to Nicole starkly contradicts his later hypothetical murder confession in *If I Did It*, exposing glaring credibility issues. Libraries—not purchases—are recommended for access.

How does O.J. Simpson describe Nicole Brown Simpson in the book?

Simpson depicts Nicole as a devoted mother and partner, calling their marriage "full of love" and praising her parenting. This contrasts sharply with *If I Did It*, where he labels her "unstable" and "coked-out". The discrepancy between both books underscores Simpson’s unreliable narratives.

What criticisms exist about "I Want to Tell You"?

Critics highlight Simpson’s evasive language—he states, "I want to state that I did not commit these crimes" but avoids direct denials like "I didn’t kill them". His refusal to engage with the term "kill" and the book’s financial motive ("The second reason is financial") further undermine credibility.

How does "I Want to Tell You" compare to "If I Did It"?

*I Want to Tell You* (1995) portrays Simpson as a victim of injustice and Nicole as an ideal partner, while *If I Did It* (2007) hypothesizes the murders and vilifies her. Reading both exposes irreconcilable narratives: one romanticizes their marriage; the other implies her instability provoked violence.

What themes dominate the book?

Key themes include: - **Innocence**: Simpson’s insistence on wrongful accusation. - **Family**: His relationship with Nicole and their children. - **Systemic Bias**: Critiques of media "lynching" and judicial racism. - **Public Perception**: Responses to supporter letters defending his character.

Why is the book’s format significant?

The structure alternates Simpson’s jail-cell reflections with curated fan letters, framing him as a misunderstood figure. This design implicitly contrasts public sympathy with legal accusations, serving his narrative of persecution.

《我要告诉你》摘要

我对我收到的信件、信息以及问题的回复

O·J·辛普森

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《我要告诉你》摘要概述

O.J. 辛普森在审判期间出版的回忆录回应了 30 万封公众信件，尽管备受争议，仍成为了一部现象级的有声书。当一名 12 岁的粉丝写道：“即使你真的杀了他们，我仍然是你的粉丝”时，这揭示了美国对名人崇拜凌驾于正义之上的令人不安的痴迷。

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第 1 章

The Legacy of a Fallen Icon: O.J. Simpson's Personal Testament

In the summer of 1994, America became transfixed by what would become known as "the trial of the century." O.J. Simpson-football legend, Hertz spokesman, and Hollywood actor-found himself at the center of a double murder case that would forever alter the landscape of celebrity, race relations, and media coverage in America. While most know the public narrative shaped by endless news cycles, "I Want To Tell You" offers a rare glimpse into Simpson's own thoughts during his imprisonment. Written while awaiting trial, the book emerged from Simpson's desire to respond to over 300,000 letters sent to him after his arrest. The book became an instant bestseller, with first-day sales exceeding 150,000 copies. Even before publication, it sparked controversy, with many viewing it as a cash grab while others considered it essential testimony from a man whose voice had been filtered through media interpretation. Whether you believe in his innocence or guilt, Simpson's personal account provides a fascinating psychological portrait of a man whose fall from grace remains one of the most dramatic in American cultural history.

第 2 章

Behind Prison Walls: Simpson's New Reality

The transition from beloved celebrity to infamous prisoner happened with breathtaking speed. As Simpson describes it, "Within hours, my life got away from me." After checking into a Chicago hotel on June 13, 1994, his world collapsed. The man who once commanded millions through endorsement deals and commanded respect on football fields found himself stripped of basic dignities-led everywhere in handcuffs and body chains, forced to "kowtow" to commands from guards, and treated "like the worst criminal in the place" despite being presumed innocent under law. Daily life in jail presented a stark contrast to his former existence. Video surveillance monitored his every move. The food was barely edible. The isolation was crushing. Perhaps most poignantly, Simpson confronted his own mortality in ways he never had before: "It was the first time in my life that I really saw that I was getting near fifty." For a man whose identity had been built around physical prowess and youthful vigor, this realization added another layer to his psychological imprisonment. Simpson's jail experience also revealed the inequities in the justice system. He acknowledges his financial privilege, noting that "if I didn't have some money, I would have no chance at all." This recognition led him to a sobering conclusion about American justice: "If they want to get you, they're going to get you." The man who had lived largely insulated from systemic racism and injustice found himself directly confronting these realities. Despite these hardships, Simpson maintained that his innocence gave him strength. The letters he received-over 300,000 of them, with 96% expressing support-became his lifeline. They connected him to a world beyond his cell walls and reminded him that many still believed in him, despite the media narrative suggesting universal condemnation. Through these correspondences, Simpson found purpose in sharing his experience: "If this injustice could happen to me, it could happen to anybody."

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第 3 章

"One Hundred Percent Not Guilty": The Unwavering Claim of Innocence

Throughout the book, Simpson forcefully maintains his complete innocence, repeatedly declaring: "I am one hundred percent not guilty." This isn't merely a legal position but a personal crusade. He expresses profound frustration at how quickly public opinion turned against him, driven by what he characterizes as media speculation and rumor rather than facts. Simpson's denial hinges significantly on his relationship with Nicole. "I loved Nicole," he insists, questioning how anyone could believe he would take the mother of his children away from them. "If I had to remove someone from their lives, I would have removed myself, not her," he writes with apparent conviction. This emotional appeal forms the core of his defense in the court of public opinion. The book reveals Simpson's concern that even a not guilty verdict might not restore his reputation. "Will the public ever accept that I'm innocent?" he wonders, suggesting that complete vindication would only come if police caught the "real killers." This statement would later become infamous as Simpson was perceived to be doing little to find these alleged perpetrators after his acquittal. What's particularly striking is Simpson's inability to comprehend why someone would kill Nicole and Ron Goldman. While his Bible teaches forgiveness, he admits he cannot forgive whoever committed the murders-a curious position for someone maintaining complete detachment from the crime. This tension between his proclaimed innocence and his emotional connection to the case creates one of the book's most intriguing psychological dimensions. Simpson's insistence on his innocence extends beyond the murders to include domestic violence allegations. While acknowledging the importance of advocacy against spousal abuse, he criticizes how such groups used his case: "What I don't agree with is that in using my case, these groups don't care about the facts of my case. The truth to them doesn't matter." This defensive posture reflects his broader strategy of positioning himself as a victim of prejudgment rather than engaging substantively with the evidence against him.

第 4 章

Mourning Nicole: Dreams, Regrets, and Unresolved Grief

Some of the book's most poignant passages concern Simpson's grief over Nicole's death. He reveals that she comes to him in dreams-not memories of their past but visions of a future they'll never share. He sees them at their daughter Sydney's wedding or at the house they planned to build in Cabo San Lucas. These dreams haunt him with possibilities forever lost. The Rockingham Avenue home they shared becomes a powerful symbol of their relationship. Simpson describes it as something they created together from their love, making it difficult to consider selling despite his financial pressures. For him, the house represents "the last tangible connection their children have to both parents together." This sentiment reveals how Simpson conceptualizes his relationship with Nicole-as permanently bound through their children, even after their divorce and her death. Simpson's grief manifests in heart-wrenching observations about his children's loss: "I'll never hear my children say 'Mommy' again." He wonders what Nicole was thinking in her final moments-a thought that seems to torment him regardless of his proclaimed innocence. Despite their separation and divorce, Simpson describes Nicole as a caring mother he trusted "one thousand percent" with their children, suggesting that whatever problems existed in their romantic relationship, he respected her parenting. The timeline of their relationship emerges through Simpson's recollections. They separated in January 1992, with the divorce finalized that October. Simpson began dating Paula Barbieri before reuniting with Nicole in 1993 for what he committed to as a year together. This complex romantic history-separation, divorce, new relationship, reconciliation-creates a backdrop against which the prosecution would later build its case about jealousy and possessiveness. Perhaps most revealing is Simpson's lament that his incarceration denied him the right to properly mourn Nicole. While consulted about her funeral arrangements, he describes being too devastated to fully participate in those decisions. "If I hadn't been a suspect, I would have had Nicole buried in Los Angeles," he writes, suggesting that even in death, their connection remained deeply important to him. Simpson acknowledges he still needs to mourn her but finds it too emotionally difficult while in jail, where he's focused on "day-to-day survival."

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第 5 章

The Children: Heartbreak and Hope

Nothing in Simpson's narrative evokes more emotion than his discussions of his children. He describes receiving supportive letters from children and teenagers as particularly moving, especially a poem from 15-year-old Jamie Brown that describes him as "a shining star" who has fallen. These messages from young people sustain him during imprisonment, showing him that people still care despite negative media portrayals. When discussing his own children, Simpson reveals profound emotional struggles. He cannot keep pictures of Sydney and Justin in his cell because seeing them is too emotionally devastating. He shares heartbreaking phone conversations-his daughter Sydney repeatedly telling him "I love you, Daddy," and his son Justin asking why he can't come home. A touching Father's Day note from Justin with his footprints particularly moves him. Simpson's protective instinct toward his children emerges strongly. He states he could never let them see him in jail, chained up, because he's "their hero." He expresses that his children don't deserve what's happening and feels they're being punished too. Looking forward, Simpson anticipates that within days of being reunited, Sydney will finally break down crying about her mother, and he'll be there to comfort her-a poignant vision of a future that would never materialize as he imagined. The book includes numerous family photographs showing tender moments with his children-Halloween celebrations, reading sessions at home, skiing adventures, and proud moments at his older children's graduations. One particularly moving image shows Sydney as a baby wearing one of Nicole's outfits, with Nicole's hands visible holding her up for the picture-a visual representation of the family unity now shattered. Simpson also praises his adult children Arnelle and Jason for having "matured so much through this experience." He credits his first wife Marquerite for raising Arnelle well and describes Jason as a talented cook who educated Simpson about their family history. These relationships provide a more complex picture of Simpson as a father across multiple marriages and decades.

第 6 章

Media on Trial: Simpson's War with the Press

Simpson's frustration with media coverage forms a central theme of the book. He describes it as a "high-tech lynching" that added immense pain to his grief over Nicole's death. His critique is scathing: "The press doesn't care about the truth, they only care about what sells." Simpson particularly condemns what he calls "lazy reporting" and failure to investigate information before publishing, expressing disappointment in respected journalists like Dan Rather and Connie Chung. His analysis of media incentives is pointed. Simpson argues that his guilt made for a more profitable story than his innocence, creating a structural bias against fair coverage. He laments that media sources aren't required to verify their credentials as expert witnesses must do in court, while his lawyers advised against responding publicly as "the jury pool was being poisoned." Simpson perceives a fundamental shift in journalistic standards during his case. He argues that legitimate press became "tabloid press," abandoning fact-checking in a frenzied race for the latest leak. This critique anticipates later discussions about the decline of journalistic standards in the digital age, though Simpson focuses on the personal impact rather than broader social implications. Despite his overall negative assessment, Simpson acknowledges that media can sometimes serve positive purposes. He cites the Susan Smith case where media scrutiny helped reveal her false claims about a black man kidnapping her children. This nuanced view suggests Simpson isn't entirely anti-media but rather concerned with what he sees as their abandonment of truth in his specific case. Looking forward, Simpson recognizes that his relationship with the press has been permanently altered: "For the rest of my life, I'll have to consider how the press will interpret my actions, as they'll never leave me alone if it will sell another paper." This prediction would prove accurate, as media fascination with Simpson continued long after his criminal trial ended.

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第 7 章

Race Matters: Simpson's Reluctant Reckoning

One of the book's most revealing aspects is Simpson's evolving understanding of race in America. He describes himself as someone who previously insulated himself from racism: "Two years ago if somebody wrote me a racist letter, my assistant, Cathy, would not have even shown it to me. I dealt with the issue by ignoring it." Now receiving hate mail filled with racial slurs, he admits, "When I read one of these letters, it stays with me all night." Simpson recalls formative experiences with racism, from being forced behind curtains in a train car in Texas to marching with Martin Luther King Jr. in San Francisco. A particularly transformative moment came during filming in South Africa in 1975, where he discovered racism within racial groups when a "colored" (mixed-race) family considered themselves superior to Black South Africans. This revelation "shook me up," showing him "racism within my own race." Despite these experiences, Simpson maintained a deliberate distance from racial identity politics. "I have lived my entire life based on merit," he states, adding "I never in my life looked at race." Raised in diverse San Francisco by a "truly color-blind" mother who "treated each person on his merits," Simpson expresses dismay that his case has "polarized society on this whole racial issue," observing regression after the progress of the 1960s. This stance explains Simpson's discomfort with how his case became racialized. He laments being forced to view his trial through a racial lens, counting jurors by race-something he claims he never did before. The man who had built a post-athletic career appealing to mainstream (predominantly white) audiences through advertising and acting now found himself unavoidably defined by racial dynamics. Simpson's reflections on police interactions reveal another dimension of his racial awakening. He shares learning to become "docile" after witnessing his cousin being "roughed up" during a stop. This experience connects to broader discussions about policing and race that would become central to his defense strategy, though Simpson presents it as personal experience rather than systematic critique. Ultimately, Simpson describes his pre-arrest approach to race as a choice not to be defined by it: "I decided to do what I wanted to do and not let other people define my life." The irony, of course, is that his case would become one of the defining moments in America's ongoing conversation about race, justice, and celebrity-whether he wanted it to be or not.

第 8 章

Finding Faith: Simpson's Spiritual Journey

Simpson's imprisonment triggered a profound spiritual transformation. He shares receiving hundreds of letters containing the inspirational poem "Footprints in the Sand," which describes how during life's most difficult moments when only one set of footprints appears in the sand, it's because the Lord was carrying the person through their trials. These messages from Christian supporters offering prayers and encouragement deeply affected him. The change in Simpson's relationship with faith is stark: "I think about God a lot now. I do believe that God was trying to get my attention and this trouble is God's way of getting my attention." This framing of his legal troubles as divine intervention reveals a man searching for meaning in his suffering-a common human response to trauma and crisis. Simpson describes praying intensely during his first week in jail, even begging God to "take me, to let me be with Nicole." This suicidal impulse, transformed through prayer, suggests the depth of his emotional distress. He finds particular comfort in reading Job and Psalm 31, relating deeply to their descriptions of suffering, persecution, and false accusations. These biblical passages showed him "that someone else had been where I am at" and that "there's nothing that I could suffer that the Lord didn't know." As time passes, Simpson observes that the letters he receives have become "more spiritual," connecting him with a "much more serious audience" than his previous fans from football and acting. This shift in his supporter base mirrors his own internal shift toward spiritual concerns. He concludes that what keeps him going now is "my children and my new-found faith." Simpson's spiritual friendship with former football player and minister Rosie Grier also plays an important role. Grier visited him in jail and shared biblical teachings, though Simpson admits he initially wasn't receptive: "My head was someplace else." This relationship illustrates how Simpson's faith development was both personal and communal, influenced by supporters and friends who shared their own spiritual perspectives.

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第 9 章

The Bonds That Sustain: Family, Friends, and Letters

Throughout his imprisonment, Simpson draws strength from three primary sources: family memories, loyal friends, and supportive letters from strangers. His reflections on these relationships reveal a man clinging to connections in a time of profound isolation. Family memories provide both comfort and pain. Simpson reminisces about his mother visiting from San Francisco, sitting on his tennis court watching hummingbirds while he read the paper. He describes annual Fourth of July parties where he hosted over 300 friends and family, featuring softball games with sports celebrities and the tradition of throwing everyone in the swimming pool. These memories represent what Simpson considers most important in his life-the family connections and celebrations now lost to him during his incarceration. Simpson portrays his mother Eunice as the central figure in his life, "the greatest mom because of who she is." He shares how neighborhood children wanted her as their own and how she worked her entire life in hospitals, never relying on welfare. A touching story reveals how his mother saved all the monthly checks he sent her after he became successful, banking them separately because "she thought I would need it one day"-a prescient act given his legal expenses. Friends who stood by Simpson during his crisis receive special praise. He particularly honors Al Cowlings, declaring "next to the word 'friend' in the dictionary should be a picture of A.C." and crediting him with saving his life: "I would never have survived that Friday if it had not been for him." This reference to the infamous Bronco chase frames it as a suicide prevention intervention rather than an attempt to flee. Simpson also acknowledges Robert Kardashian as "a very spiritual guy" who read Simpson's letter "To Whom It May Concern" when Simpson believed he might not survive. Perhaps most surprising is the comfort Simpson finds in letters from strangers. The sheer volume-300,000 letters, with 96% expressing support-provided validation when media coverage seemed universally condemning. Simpson concludes by thanking these correspondents: "You're my friends, friends I never knew I had." This connection to supporters he never met reveals the unique nature of celebrity in crisis-how public figures can find solace in parasocial relationships when traditional relationships become strained or impossible.

第 10 章

Justice Reconsidered: Simpson's Lost Faith in the System

Simpson's experience fundamentally altered his view of American justice. He states bluntly: "I don't believe in the legal system anymore" while maintaining belief in individual people within it. This distinction between the system and its participants reflects his attempt to reconcile his negative experience with his continued relationships with attorneys and others working within that system. His critique focuses on how winning has superseded truth-seeking. Simpson points to both prosecution and defense using mock juries and jury experts to gain advantage rather than pursuing justice. This observation about the adversarial nature of American courts reveals Simpson's perhaps naive prior belief that the system was primarily designed to discover truth rather than to pit competing narratives against each other. The financial aspects of justice particularly trouble Simpson. He acknowledges his privilege, realizing many innocent people remain in jail because they can't afford adequate defense: "If I didn't have some money, I would have no chance at all." This recognition of systemic inequality comes from a man who previously lived largely insulated from such concerns, suggesting a growing awareness of structural issues beyond his personal case. Simpson also confronts how his case exposed racial divisions in perceptions of justice. He laments being forced to view his trial through a racial lens, counting jurors by race-something he claims he never did before. This reluctant engagement with the racial dimensions of justice reflects Simpson's complicated relationship with racial identity throughout his life. The cumulative effect of these realizations leads Simpson to a sobering conclusion: "If they want to get you, they're going to get you." This statement reveals a profound loss of faith in institutional fairness-a perspective that would shape his behavior and public statements long after the publication of this book. The man who had benefited enormously from American systems of opportunity and celebrity now found himself questioning whether those systems could deliver the justice he believed he deserved.

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第 11 章

Reflections on a Life Interrupted

"I Want To Tell You" offers a complex psychological portrait of a man at the center of a national trauma. Simpson presents himself as a victim of circumstances, media distortion, and systemic injustice while maintaining absolute innocence. His narrative weaves together grief for Nicole, concern for his children, frustration with media coverage, newfound spiritual awareness, and gratitude for supporters who stood by him. The book captures Simpson at a moment of profound transition-from beloved celebrity to infamous defendant, from freedom to confinement, from secular success to spiritual searching. His reflections reveal a man struggling to reconcile his past identity with his present reality, clinging to memories of family gatherings and professional accomplishments while confronting an uncertain future. Perhaps most striking is Simpson's inability to fully comprehend how dramatically his life has changed. Despite his protestations of innocence, the evidence and public opinion had already begun to solidify against him. The man who once commanded universal admiration now found himself the subject of intense scrutiny and widespread condemnation. His belief that he could explain his way back into public favor through this book reflects a fundamental misunderstanding of how permanently his image had been altered. Simpson concludes the book with hope for vindication and reunion with his children. History would unfold differently than he anticipated. Though acquitted in criminal court, a civil jury would later find him responsible for the deaths. His attempts to rebuild his life would be marred by further legal troubles, eventually leading to imprisonment on unrelated charges. The story that began with 300,000 letters would continue long after this book's publication, becoming one of America's most enduring and troubling cultural narratives about celebrity, race, justice, and the elusive nature of truth.

★★★★★

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“坚持使用 23 天了，我每天都会打开它。它现在已经成为我的日常习惯。”

jayallen

《我要告诉你》摘要中的核心主题

celebrity fall from grace
wrongful accusation narrative
racial justice system
media trial dynamics
psychology of imprisonment

《我要告诉你》摘要精选金句

If they want to get you, they're going to get you.
I am one hundred percent not guilty.
I loved Nicole.
I'll never hear my children say 'Mommy' again.

《我要告诉你》摘要中的人物

O.J. SimpsonFormer football star and author awaiting trial
Nicole Brown SimpsonThe author's late ex-wife and murder victim
Ron GoldmanThe second victim in the double murder case
Sydney SimpsonThe daughter of O.J. and Nicole

关于作者

奥伦塔尔·詹姆斯·辛普森（Orenthal James Simpson，1947–2024），《我想告诉你》（I Want to Tell You）一书的作者，曾是职业橄榄球名人堂跑卫，也是一位极具争议的文化人物。这本书是他在 1994 年谋杀案审判期间撰写的回忆录，记录了他对媒体审视和公众审判的看法，这些主题源于他作为名人被告的经历。

辛普森的体育声望包括 1968 年的海斯曼奖、至今未被打破的 NFL 单赛季场均 143.1 码冲球纪录（1973 年），以及在《白头神探》（The Naked Gun）系列等电影中的角色。他后期备受争议的作品《如果我做了》（If I Did It），对他审判中的核心事件进行了假设性叙述。

尽管他在 1995 年被宣判无罪，但辛普森的遗产仍与那场吸引全球媒体关注的审判紧密相连。他的橄榄球成就（包括入选大学和职业橄榄球名人堂）与其后期的法律麻烦（包括 2008 年的武装抢劫定罪）形成了鲜明对比。《我想告诉你》作为美国最具争议的公众人物之一的第一手叙事，至今仍具有影响力。

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它不只是一个书籍摘要 app。我用过「有趣」这个阅读模式，比传统方式的摘要好得多，理解观点也更容易，光这一点就值回票价。

@austinakon

我爱这个 app。用了几天，完全停不下来。作为开始，再好不过了。

@jcrules328

我真的很喜欢这个产品；已经试用了大概一个月，感觉挖到宝了。它特别好用，因为我可以用 BeFreed 创建自己想学的主题，声音也很棒，旁白选择多到用不完。

@DanielCZ

说真的，我还没把这个 app 完全摸透，但用了这几天已经被惊艳到了… BeFreed 和我用过的任何学习类 app 都不在一个层级。它让人特别投入，还能实实在在地提升专注力，对刷手机停不下来的人来说太合适了！

@ladyInfinity

我买 BeFreed 正好 23 天，从那以后每天都在用。它已经完全融入了我的日常工作流和学习习惯。

@jayallen

说实话，这个 app 超出了我所有的预期。我可以让它就任何主题生成音频，无论是什么，效果都很惊艳。我的专业领域是心理治疗方向，而且是多学科交叉的，但它给出的内容非常准确。

@Raguipa

我最感激的是它大大减少了我刷手机的时间——花在搜索上的时间少了，吸收信息的时间多了。完整有声书、播客加上学习计划的组合，真的很出色。

@colonyofcreatorsNGO

我做 PhotoReading 快速学习讲师已经 24 年了… 书籍、阅读和学习就是我的本行，而 BeFreed 用一种创新的方式，把知识变得特别容易吸收，做得非常出色。

@BeFreed user

它不只是一个书籍摘要 app。我用过「有趣」这个阅读模式，比传统方式的摘要好得多，理解观点也更容易，光这一点就值回票价。

@austinakon

我爱这个 app。用了几天，完全停不下来。作为开始，再好不过了。

@jcrules328

我真的很喜欢这个产品；已经试用了大概一个月，感觉挖到宝了。它特别好用，因为我可以用 BeFreed 创建自己想学的主题，声音也很棒，旁白选择多到用不完。

@DanielCZ

我特别喜欢它能把有用的信息和想法浓缩成 8-15 分钟的播客式音频。我本来不太爱听播客，因为废话太多，但它把这些全都去掉了。

@BeFreed user

我正在读博士的最后阶段，需要读大量不熟悉的材料… 用 BeFreed，只要输入一个提示，app 就会帮你找到源材料并生成一期音频播客。我觉得 BeFreed 的流程比 NotebookLM 更顺畅。

@Brad

我经常在做早餐、散步、通勤的时候上 YouTube 找点东西听，而 BeFreed 提供了更有针对性的选择，没有广告，也没有废话！

@BeFreed user

这个平台最棒的地方是它的多面性。真的没有任何主题是它讲不了的，你丢给它什么它都能处理… 很少能找到一个毫无限制、又真正兑现承诺的学习工具。

@jayallen

BeFreed 太棒了。界面好用，让我花在找功能上的时间更少，花在学习上的时间更多。有声书、播客和学习计划的组合是天才设计，彻底改变了我的日常。

@BeFreed user

一开始我花了点时间才弄明白怎么生成意大利语的播客，然后就——哇！太棒了！我可以让它讲解任何一个话题，它讲得又好又聪明！

@matteo77

BeFreed 已经成了我每天都用的有声书 app… 我最喜欢的是，把自己的文字放进去，它就能生成随时随地都能听的音频。

@kotanzu1

我特别喜欢它能把有用的信息和想法浓缩成 8-15 分钟的播客式音频。我本来不太爱听播客，因为废话太多，但它把这些全都去掉了。

@BeFreed user

我正在读博士的最后阶段，需要读大量不熟悉的材料… 用 BeFreed，只要输入一个提示，app 就会帮你找到源材料并生成一期音频播客。我觉得 BeFreed 的流程比 NotebookLM 更顺畅。

@Brad

我经常在做早餐、散步、通勤的时候上 YouTube 找点东西听，而 BeFreed 提供了更有针对性的选择，没有广告，也没有废话！

@BeFreed user

这个平台最棒的地方是它的多面性。真的没有任何主题是它讲不了的，你丢给它什么它都能处理… 很少能找到一个毫无限制、又真正兑现承诺的学习工具。

@jayallen

BeFreed 太棒了。界面好用，让我花在找功能上的时间更少，花在学习上的时间更多。有声书、播客和学习计划的组合是天才设计，彻底改变了我的日常。

@BeFreed user

一开始我花了点时间才弄明白怎么生成意大利语的播客，然后就——哇！太棒了！我可以让它讲解任何一个话题，它讲得又好又聪明！

@matteo77

BeFreed 已经成了我每天都用的有声书 app… 我最喜欢的是，把自己的文字放进去，它就能生成随时随地都能听的音频。

@kotanzu1

查看更多网络上关于 BeFreed 的讨论

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第 7 章