
David Olusoga's award-winning "Black and British" radically rewrites Britain's story, revealing centuries of erased Black history. Called "comprehensive and passionate" by Kwasi Kwarteng, this PEN Prize winner sparked curriculum reform and national conversations on institutional racism. Did you know your school history lessons were incomplete?
David Adetayo Olusoga, OBE, is the award-winning historian and broadcaster behind Black and British: A Forgotten History, a groundbreaking exploration of Britain’s racial legacies.
A British-Nigerian scholar and Professor of Public History at the University of Manchester, Olusoga specializes in uncovering marginalized narratives of empire, slavery, and colonialism. His work blends rigorous academia with accessible storytelling, honed through decades as a BAFTA-winning documentary filmmaker for the BBC, including Britain’s Forgotten Slave Owners and Civilizations.
Olusoga’s expertise extends to bestselling books like The World’s War and The Kaiser’s Holocaust, which examine global conflicts and colonial violence. A regular contributor to The Guardian and BBC programming, his insights on historical memory and identity have shaped public discourse, notably in his testimony during the Edward Colston statue trial.
Black and British—adapted into a BBC series—has sold over 200,000 copies and earned the PEN Hessell-Tiltman Prize, cementing its status as essential reading on Britain’s multicultural past.
Black and British chronicles the 1,800-year relationship between Britain and people of African and Caribbean heritage, from Roman Britain to modern movements like Black Lives Matter. David Olusoga dismantles the myth of Black British history as peripheral, revealing how slavery, industrialization, and colonialism intertwined Black and white destinies. The updated edition addresses the Windrush scandal and systemic racism debates.
This book is essential for history enthusiasts, educators, and anyone seeking a comprehensive understanding of Britain’s multicultural roots. It appeals to readers interested in colonialism, slavery, and the erased contributions of Black Britons in shaping the nation’s cultural, economic, and military history.
Yes—it’s a critically acclaimed, award-winning work (Hessell-Tiltman Prize, Longman History Today Trustees’ Award) that reshapes national narratives. Olusoga’s rigorous research and engaging prose make it a vital resource for understanding race, identity, and Britain’s global legacy.
The revised edition links historical racism to modern injustices, analyzing the Windrush scandal’s roots in post-war immigration policies and the 2020 Black Lives Matter protests. Olusoga frames these events as part of a centuries-old struggle for equality.
Spanning Roman Britain to the 21st century, the book explores medieval Blackamoors, Elizabethan England, the transatlantic slave trade, World Wars, and post-colonial migration. It highlights Black Britons’ roles in events like the Battle of Trafalgar and Britain’s industrial boom.
Olusoga rejects the notion of Black history as separate, showing its integration into Britain’s economic and cultural fabric. He exposes overlooked scandals, such as failed colonial projects like Granville Town, and critiques “white savior” myths.
The book received the 2017 PEN Hessell-Tiltman Prize, Longman History Today Trustees’ Award, and was shortlisted for the Jhalak Prize. It was also a Waterstones History Book of the Year.
Olusoga details how slavery funded Britain’s Industrial Revolution, with ports like Liverpool thriving on human trafficking. He emphasizes enslaved Africans’ resistance and the moral contradictions of abolitionists like Granville Sharp.
It combines academic depth with accessibility, using genealogical records, memoirs, and archival sources to center Black voices. The book’s focus on Britain’s racial entanglements offers a fresh perspective on national identity.
Olusoga reconstructs hidden histories through wills, ship logs, and personal accounts—such as Black soldiers in WWI and 18th-century Black writers. This evidence challenges the erasure of Black contributions to British society.
Praised as “compulsory reading” by The Guardian, the book is lauded for its clarity, passion, and unflinching examination of racism. Critics highlight its timely relevance in debates about legacy and reparations.
Olusoga’s childhood encounters with racism in 1970s Britain inform his urgency to confront systemic prejudice. His dual Nigerian-British heritage enriches the narrative with personal and historical resonance.
通过作者的声音感受这本书
将知识转化为引人入胜、富含实例的见解
快速捕捉核心观点,高效学习
以有趣互动的方式享受这本书
The story of Black British history isn't a footnote.
An essential, integral thread woven through the fabric of the nation's past.
The black must be discharged.
An essential rewriting of British history.
将《Black and British》的核心观点拆解为易于理解的要点,了解创新团队如何创造、协作和成长。
将《Black and British》提炼为快速记忆要点,突出坦诚、团队合作和创造力的关键原则。

通过生动的故事体验《Black and British》,将创新经验转化为令人难忘且可应用的精彩时刻。
随心提问,选择声音,共同创造真正与你产生共鸣的见解。

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The history of Black Britain isn't a footnote-it's a vital thread woven through the nation's entire tapestry. For centuries, this history remained largely invisible, overshadowed by narratives that portrayed Britain as ethnically homogeneous until post-WWII immigration. Yet archaeological discoveries tell a different story. The "Ivory Bangle Lady," a high-status mixed-race woman buried in Roman York during the third century, and the "Beachy Head Lady," a young African woman who lived in southeast England around 200 AD, provide tangible evidence of early Black presence. Their careful burials and good physical condition suggest they weren't enslaved but held respected positions in Roman British society. Imagine walking through a museum and realizing that Britain's multicultural story began not decades but millennia ago. This revelation fundamentally transforms our understanding of British identity. After Rome's fall, Britain was largely cut off from Africa for a millennium. Medieval Europeans' understanding of Africa came primarily through ancient writers who mixed accurate observations with fantastic speculation. The Hereford Cathedral's Mappa Mundi (c.1300) even depicted Africa as home to monstrous races with faces on their chests!