『ダーバヴィル家のテス』の要約の概要
トマス・ハーディの物議を醸した傑作は、ヴィクトリア朝イングランドの残酷な社会階層の中を突き進むテス・ダービフィールドの悲劇的な旅路を追っています。当初はその「不道徳さ」ゆえに検閲を受けましたが、このフェミニズムの象徴的存在は、ロマン・ポランスキー監督による1979年の高く評価された映画化のきっかけとなりました。一人の女性の没落が、なぜ今日でもなお、これほどまでに忘れがたく現代的な意味を持ち続けているのでしょうか？
『ダーバヴィル家のテス』の要約の主要テーマ
- victorian sexual politics
- social class hypocrisy
- rural industrialization
- cosmic fatalism
- fallen woman trope
『ダーバヴィル家のテス』の要約の名言集
She was a fine and handsome girl—not handsomer than some others, possibly, but her mobile peony mouth and large innocent eyes added eloquence to colour and shape.
Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow as yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, the wrong man the woman, the wrong woman the man, many thousand years of analytical philosophy have failed to explain to our sense of order.
Once victim, always victim—that’s the law!
The beauty or ugliness of a character lay not only in its achievements, but in its aims and impulses; its tendencies and possible habits; the delicate adjustments of the inner mechanism, which might be altogether hidden from the eye if the structure were not disturbed by some unusual situation.
‘Justice’ was done, and the President of the Immortals, in Aeschylean phrase, had ended his sport with Tess.
『ダーバヴィル家のテス』の要約の登場人物
- Tess DurbeyfieldA young woman of natural beauty and moral purity
- Alec d'UrbervilleA predatory young man who exploits Tess
- Angel ClareA gentleman's son who first sees Tess at a dance
- Jack DurbeyfieldTess's father, a humble haggler
- Joan DurbeyfieldTess's mother who fails to protect her daughter
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