What is Girl in Pieces by Kathleen Glasgow about?

Girl in Pieces follows seventeen-year-old Charlotte "Charlie" Davis, who wakes up in a hospital after a suicide attempt. After treatment at a group home for girls who self-harm, Charlie moves to Tucson, Arizona to rebuild her life. The novel explores her journey through trauma, self-harm, addiction, and abuse as she struggles to heal through art, friendship, and self-acceptance while confronting her painful past.

Who should read Girl in Pieces?

Girl in Pieces is recommended for readers aged 16 and older who are interested in honest portrayals of mental health struggles and recovery. The book is essential for adolescents and adults seeking to understand depression, self-harm, and trauma, as well as those looking for stories of resilience and hope. However, readers should be prepared for graphic content involving abuse, addiction, and self-destructive behavior.

Is Girl in Pieces by Kathleen Glasgow worth reading?

Girl in Pieces is widely praised as a heartfelt, raw, and beautifully written novel that offers an intimate look into mental health recovery. The book's poetic prose, realistic characters, and unflinching honesty about trauma make it a powerful read. While emotionally challenging, it balances darkness with hope and demonstrates that healing is possible, making it a must-read for those seeking authentic representations of mental health struggles.

Who is Kathleen Glasgow and what inspired Girl in Pieces?

Kathleen Glasgow is a contemporary young adult author known for her honest exploration of difficult topics. Girl in Pieces, published by Delacorte Press in August 2016, draws on real experiences and demonstrates Glasgow's deep understanding of mental health challenges. Her writing doesn't judge or make excuses but presents Charlie's story with truth and empathy, allowing readers to connect with the character's journey authentically.

What are the main themes in Girl in Pieces?

Girl in Pieces explores themes of mental health, resilience in the face of adversity, and the healing power of art and self-expression. The novel emphasizes the importance of community and support networks in recovery, showing how friendship can anchor someone through despair. Additional themes include the challenges of surviving trauma, the role of communication in healing, and the choice between facing pain or sinking into oblivion.

What writing style does Kathleen Glasgow use in Girl in Pieces?

Kathleen Glasgow employs a first-person perspective told from Charlie's point of view, creating intimate access to her thoughts and struggles. The narrative is deliberately fragmented with choppy, erratic prose that mirrors Charlie's broken mental state, then subtly shifts as she heals. Glasgow uses vivid imagery, powerful metaphors, and poetic language to convey emotional depth, making the writing style both unique and reflective of the protagonist's psychological journey.

What are the most memorable quotes from Girl in Pieces?

Girl in Pieces contains several powerful quotes that capture Charlie's struggle. - "I cut all my words out. My heart was too full of them" encapsulates how self-harm becomes her form of communication. - "Little one, you're with your people" highlights finding belonging and acceptance. - "You own all of yourself, Charlie. Every last bit" emphasizes self-acceptance and embracing one's whole self, including scars and imperfections.

How does Girl in Pieces portray mental health and self-harm?

Girl in Pieces offers a raw, unflinching portrayal of depression, anxiety, and self-harm without romanticizing these struggles. Kathleen Glasgow shows Charlie's selective mutism, cutting, and suicidal thoughts as intrinsic to her identity and trauma response, not mere plot devices. The novel depicts psychiatric treatment, therapy, group homes, and the difficult reality that recovery isn't linear, demonstrating how trauma profoundly impacts a young person's psyche and daily choices.

En mille morceaux

Une Nouvelle

Kathleen Glasgow

3.93(277850 Reviews)

Aperçu de En mille morceaux

Dans « Girl in Pieces », l'automutilation rencontre l'espoir brut alors qu'une adolescente brisée se reconstruit. Fruit de neuf ans de travail, ce best-seller n°1 du NYT reçoit quotidiennement la gratitude de lecteurs du monde entier. Comme le souligne Maggie Stiefvater, « L'espoir persiste même dans les moments les plus sombres. »

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Chapitre 1

Shattered and Mended: A Journey Through Darkness

When Kathleen Glasgow's "Girl in Pieces" hit shelves in 2016, it wasn't just another YA novel-it was a literary earthquake that shook readers to their core. This raw, unflinching portrait of self-harm and healing has been compared to Susanna Kaysen's "Girl, Interrupted" while establishing its own powerful legacy. The novel has become required reading in many high school and college curricula, with celebrities like Billie Eilish citing it as a formative influence. What makes this book so compelling is Glasgow's refusal to sanitize trauma; instead, she renders painful experiences with stark honesty while maintaining a lyrical beauty that carries readers through even the darkest moments of protagonist Charlie Davis's journey.

Chapitre 2

The Silent Girl with Scars to Tell

Charlie Davis arrives at Creeley Center wrapped in a bloodied sheet, abandoned at Regions Hospital during a Minnesota winter. Her arms and thighs are heavily bandaged, covering self-inflicted wounds made with broken mason jar glass. Unlike the other girls in the psychiatric facility who freely share their stories, Charlie has "cut all her words out" because her "heart was too full of them." She remains selectively mute, communicating only through notes and drawings. The facility follows a rigid schedule-waking at 6 AM, meals at specific times, Group therapy, medications, Crafts, Individual therapy-all under constant supervision. Charlie, despite being taunted as "Silent Sue" by another patient named Blue, appreciates having food, warmth, and safety after living on the streets. Her roommate Louisa, an older girl with abundant red-and-gold hair, becomes a maternal figure who recognizes Charlie as "one of her people" when she sees Charlie's similar scars. Charlie catalogs her fellow patients by their self-harm methods: Jen S. is a "nicker" with small scars; Francie pokes herself with sharp objects; Sasha cries constantly and has shallow cuts; Isis is a burner with circular wounds; Blue has various injuries from abuse and self-harm; and Linda/Katie/Cuddles has multiple personalities. Each girl represents a different manifestation of pain, yet they're bound by their shared experience of turning that pain inward. Their group therapist, Casper-nicknamed for her ghost-like appearances and pale blue eyes-begins each session with breathing exercises and gentle stretching. She reminds them their job is to work on themselves: "We are all here to get better," which Charlie interprets as acknowledging they're all "presently shit." In Casper's office sits a turtle that paddles endlessly without progress-a metaphor Charlie finds fascinating, perhaps seeing herself in this creature's pointless persistence. As Charlie's bandages come off, revealing "red, ropy scars rivering from wrists to elbows," she begins to emerge from her silence. After Nurse Vinnie shaves her matted hair, revealing her face, she finally speaks her name: "It's not Chuck, Isis. It's Charlie. Charlie Davis." This moment marks the beginning of Charlie's journey toward reclaiming her identity and voice.

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Chapitre 3

Broken Pieces of a Shattered Past

Charlie's past unfolds in fragments throughout the novel, revealing the trauma that led to her self-harm. Her father-described as "cigarettes and red-and-white beer cans. Dirty white T-shirts and a brown rocking chair"-committed suicide when Charlie was young. After his death, her mother "tucked everything inside and left only her shell," becoming abusive and eventually kicking Charlie out. On the streets, Charlie found a surrogate family. Ellis, a beautiful, troubled girl who saw Charlie's drawings as "angelic," became her best friend and secret-keeper. Mikey, with his "angelic blue eyes," was the boy Charlie loved who only had eyes for Ellis. Evan and Dump, homeless boys who once saved Charlie from an assault in an underpass, took her in for seven months. The most devastating revelation is that Ellis didn't die but suffered brain damage after a suicide attempt involving cutting-something she learned from Charlie. Now Ellis exists in a facility far away, in "a state of nothingness-no more hair dye, fishnets, or me. Just Velcroed pants and diapers." This guilt weighs heavily on Charlie, who can't touch Ellis or "make it better or say sorry." After fighting with her mother and breaking her nose, Charlie ended up at "Seed House," where "Fucking Frank" expected the girls to service men. When Charlie refused, Frank choked her in the attic. That's when she tried to "cut out my father, cut out my mother, cut out missing Ellis"-to get smaller until she disappeared. "That time, I tried so hard to fucking die. But here I am." These revelations help us understand why Charlie cuts-it's her way of managing overwhelming emotions, of making the internal pain external and therefore controllable. As she explains, "when the blood comes, everything is warmer, and calmer." The physical pain provides temporary relief from the emotional agony she carries.

Chapitre 4

Escape to the Desert

When Charlie's insurance coverage runs out and her grandmother can no longer pay for treatment, she faces returning to her abusive mother. Instead, her friend Mikey arranges a bus ticket to Tucson, Arizona, where Charlie can stay in his apartment while he's away on tour. With her old ID, birth certificate, and $933 that she and Ellis had saved for dreams of Paris and London, Charlie embarks on a new life in the desert. The journey takes nearly two days across six states, filled with "sadness and stale air." Charlie arrives in Tucson at night, finding her way to Mikey's purple guest house where his landlady Ariel has left a yellow bicycle. Though initially panicked at being truly alone, Charlie finds comfort in Mikey's space, sleeping in his peacoat despite the desert heat. Charlie quickly establishes a routine-buying supplies at Circle K, food at the Food Conspiracy co-op, and creating a new "tender kit" with glass shards from a smashed bottle. Though she doesn't want to cut, having the kit makes her feel safer. She spends days sleeping and drawing, living on crackers and cheese, finding comfort in Mikey's casual possessions. Through Darla at a record store called Swoon, Charlie finds a job washing dishes at True Grit, a vegetarian cafe owned by Julie. There she meets Riley, a charismatic but troubled musician who becomes central to her new life. Charlie also rents a small apartment with peeling paint and a claw-foot tub from an elderly landlord named Leonard. Despite its flaws, it feels like a sanctuary compared to where she's been. The desert setting represents both opportunity and danger for Charlie-a place where she can reinvent herself, but also where she might lose herself in the vast emptiness. The heat and brightness contrast sharply with the gray Minnesota skies she left behind, symbolizing the stark differences between her old and new lives.

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Chapitre 5

The Dangerous Dance of Love and Addiction

When Mikey returns briefly to Tucson, Charlie's carefully constructed world tilts on its axis. Her romantic feelings for him crash against the reality that he has a girlfriend named Bunny - a revelation that leaves Charlie feeling hollow and displaced. After impulsively kissing him outside True Grit one evening, the rejection burns deep, leaving her vulnerable and searching for connection in all the wrong places. Enter Riley, the charismatic musician whose presence at True Grit draws Charlie like a moth to flame. His talent on the guitar and weathered charm mask a dangerous relationship with alcohol, though Charlie initially mistakes his dysfunction for depth. Their relationship evolves in the shadows, taking on ritualistic qualities that should serve as red flags: Riley's insistence on calling her his "nighttime visitor," the peculiar candy-fetching errands before their encounters, the way he keeps her separated from his daylight life. Charlie finds herself seduced by the carefully curated details of Riley's world - his apartment becomes a sanctuary of sorts, with its meticulously alphabetized record collection, dog-eared books bearing cryptic margin notes, and that inviting velvet couch that seems to hold stories of its own. She spends countless nights on the street corner, letting his guitar melodies wash over her, each song drawing her deeper into his orbit. The true nature of their relationship reveals itself gradually. Riley's "errands" are actually drug runs from his dealer Wendy, with Charlie serving as an unwitting mule. Their codependency deepens like quicksand - Charlie abandoning her photography, her friendships, her sense of self, while Riley's addiction consumes him like a slow-burning fire. The situation comes to a head when Julie discovers them in her office, her fury ignited not just by the act itself but by the predatory nature of their age difference, leading her to invoke the term "statutory rape" with devastating clarity. Riley's descent becomes impossible to ignore - empty bottles multiply like breadcrumbs marking his path to destruction, his beloved guitar gathering dust in the corner, and most disturbing are the moments when his eyes glass over, looking through Charlie as if she's become invisible. Her desperate insistence that she can save him prompts Linus, a recovering alcoholic who's seen this story play out countless times, to deliver a stark warning: "If I had a dollar for every time I've heard that, I'd be a rich woman." The parallel between Charlie's self-harm and Riley's alcoholism emerges with painful clarity - both are destructive rituals masquerading as relief. Charlie's cutting provides her with moments of feeling "warmer, and calmer," while Riley drinks to drown the ghosts of his failed music career and collapsed marriage. Together, they form a toxic symbiosis, each enabling the other's self-destruction while mistaking their mutual damage for love. Their relationship becomes a haunting metaphor for addiction itself - alluring, all-consuming, and ultimately devastating to everyone in its path.

Chapitre 6

Art as Salvation

Throughout her journey, Charlie's artistic talent serves as her lifeline. Even during her silent days at Creeley, she communicated through drawing. Her sketchbook contained comics about life on the street, and she treasured her grandmother's Land Camera, which she used to take black-and-white Polaroids of herself with Ellis, Mikey, and DannyBoy. In Tucson, Charlie continues to draw, creating portraits of her neighbors-Hector, Manny, and his mother Karen-who are reverently pleased to see themselves through her eyes. When she visits a warehouse gallery with her leather portfolio, Tony Padilla-Ariel's friend-immediately accepts her drawings for his exhibition, impressed by their "proficiency" and "something odd." Charlie's landlady Ariel, an artist whose walls are covered in dark paintings with tiny strips of light, invites Charlie to her art workshop, saying she has talent but needs to examine herself as a subject. After the traumatic discovery of Riley with Wendy, Charlie is taken to Felix Arneson's home in New Mexico to recover. Felix, another artist, tells her that while her drawings show skill, they lack emotion: "You need to give your skill an emotion." Following Felix and Ariel's advice, Charlie begins drawing a comic about a girl with hidden scars. She works for days, losing track of time, telling her story through images since she struggles with spoken words. When she finishes, she feels a shift within herself-art has become her path to healing and self-expression. This theme of art as salvation extends to other characters as well. Riley expresses himself through music, performing a song about Charlie called "Who Knew I'd Make Her So Blue" as his way of apologizing. Linus creates woven landscapes that transform the walls of True Grit. Even Louisa at Creeley poured her secrets into composition books that she later passed on to Charlie. The novel suggests that creative expression-whether through drawing, music, or writing-provides a constructive outlet for pain that might otherwise be directed inward through self-harm or outward through destructive relationships.

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Chapitre 7

The Community of Broken People

Throughout her journey, Charlie finds connection and healing through unlikely communities that form around shared trauma and understanding. At Creeley Treatment Center, despite their diverse backgrounds and initial resistance to therapy, the girls forge a profound support system based on their shared experiences of pain and self-destruction. When Louisa tells Charlie, "Little one, you're with your people," she acknowledges not just their common struggle with self-harm, but a deeper kinship born from understanding what drives someone to hurt themselves. In Tucson, Charlie gradually builds a new community that becomes her chosen family. Her neighbors-Hector with his quiet wisdom, Manny's protective nature, and Karen's maternal warmth-create a safety net she never had before. Her coworkers at True Grit, especially Riley, show her that work can be more than just survival; it can be a path to belonging. When Blue follows Charlie from Creeley, it demonstrates how these connections transcend institutional boundaries. The night Charlie collapses after a severe cutting episode becomes a powerful testament to this community's strength-Hector and Manny working desperately to stop the bleeding, Leonard offering his medical expertise, while Linus and Tanner ultimately drive her to New Mexico for recovery. Even in her darkest moments, when self-destruction feels like the only option, Charlie discovers she's surrounded by people who refuse to let her disappear. During her devastating phone call with Riley at his rehab facility-when she questions whether she was merely a "freak show" to him-she fights the overwhelming urge to harm herself by implementing Linus's practical advice about surviving difficult moments in five-minute intervals, then fifteen, then an hour. The novel powerfully illustrates that healing isn't a solitary journey but a collective experience strengthened through relationships with others who understand our deepest wounds. This theme crystallizes when Blue, another survivor of trauma, declares that she and Charlie are family now-a moment of raw emotional honesty that acknowledges how chosen families can be stronger than biological ones. The revelation about Ellis's condition through Mikey-that she responds to Charlie's name with recognition-shows how these bonds persist even through severe trauma and separation. Glasgow extends this community beyond the novel's pages to include readers themselves. In her moving Author's Note, she shares a personal memory of seeing a young woman on a bus whose self-harm scars mirrored her own, and her regret at not reaching out despite their shared experience. By writing this novel for "the cutters and the burners and the kids on the street," she creates a literary safe space for those struggling with self-harm-estimated to affect one in two hundred teenage girls-reminding them they're not alone in their pain or their healing journey.

Chapitre 8

Finding Voice After Silence

Charlie's journey from selective mutism to verbal expression serves as a powerful metaphor for her path toward healing and self-discovery. At Creeley, she initially retreats into complete silence, communicating solely through hastily scribbled notes and expressive drawings. She has "cut all her words out" because her "heart was too full of them" - a poignant reflection of how trauma can literally steal one's voice. Her first spoken sentence - "Nurse. Ava. Bought. Me. This. Underwear." - emerges painfully, each word distinct and separate, her voice scratchy from months of disuse, like a rusty hinge slowly beginning to move again. The reclamation of her name marks a crucial turning point in Charlie's recovery. When she finally declares, "It's not Chuck, Isis. It's Charlie. Charlie Davis," she isn't just correcting someone - she's actively reclaiming her identity. This moment ripples through the rest of the novel, as Charlie gradually finds different channels for self-expression. Her artistic journey becomes particularly significant, evolving from simple sketches to increasingly complex drawings that capture emotions she can't yet verbalize. The theme of voice manifests uniquely through other characters, creating a tapestry of different forms of expression. Riley, the musician, transforms his remorse into melody, composing and performing a song about Charlie that serves as both apology and acknowledgment. Louisa's voice echoes through time in her composition books - raw, honest accounts of her struggles with self-harm that later become a lifeline for Charlie. Even Casper's office turtle becomes a powerful symbol - endlessly paddling without forward motion, representing the frustration of having something to express but lacking the means to do so. The novel explores how finding one's voice is fundamentally linked to healing. When Charlie discovers Louisa's composition books, the words about cutting and pain strike deep chords of recognition. This discovery leads her to follow Felix and Ariel's artistic advice: to use herself as subject matter. Charlie spends days crafting a comic about a girl with hidden scars, transforming her trauma into visual narrative. This artistic expression becomes a bridge between her silent world and verbal communication. The evolution of Charlie's voice culminates in multiple forms of expression. Her artwork becomes more confident and revealing, her relationships deepen through newfound ability to communicate, and her decision to write to Ellis represents a final breakthrough. As she sits on the plane to New York, mentally composing her letter, Charlie isn't just finding her voice - she's choosing how to use it. This moment represents more than just the ability to speak; it symbolizes her reclamation of personal power and agency, marking her transition from silence to self-expression in all its forms.

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Chapitre 9

The Courage to Begin Again

The novel concludes with Charlie accepting a job as Felix Arneson's assistant in New Mexico, drawn to the stillness of his desert home and eager to escape Riley's ghost. The position includes room, board, and a small salary, plus space where she can continue her creative work. Before leaving Tucson, Charlie attends Luis Alvarez's benefit concert where Riley performs. His song about their relationship-"Who Knew I'd Make Her So Blue"-serves as an apology, his way of talking just like her comic is hers. After his set, Riley gives Charlie a note that reads: "Charlotte-I do remember, and I did. I do. Take care of yourself. Irwin David Baxter." More significantly, Charlie reunites with Mikey, who delivers life-changing news: he visited Ellis in Sandpoint, Idaho, and confirms she's still present mentally despite her condition. When Mikey mentioned Charlie's name, Ellis's face lit up. This news fills Charlie with love and hope as she clutches Ellis's address. As the novel ends, Charlie sits on a plane beside a friendly girl named Shelley, heading to New York before continuing to New Mexico. When Shelley shows her viral videos of Riley's performance from the night before, Charlie reads Riley's note and holds Mikey's note with Ellis's address. As the plane takes off, Charlie begins mentally composing a letter to Ellis, choosing her next "momentous" step forward. This ending embodies the novel's central message-that healing is not a destination but a journey, one that requires the courage to begin again despite past traumas. Charlie's decision to write to Ellis represents her willingness to confront her guilt and grief rather than cutting it out. Her new job with Felix offers a fresh start where she can continue developing her artistic voice. The novel doesn't promise a perfect recovery or a fairy-tale ending. Instead, it offers something more valuable-the hope that with each day, each small choice, we can move closer to becoming whole. As Charlie puts it when contemplating Felix's question about whether self-harm is about getting closer to God: "Fuck no." It's about surviving, about finding ways to live with pain rather than being consumed by it.

Chapitre 10

Healing Through Scars: The Lasting Impact

"Girl in Pieces" delivers a profound understanding of self-harm, dismantling common misconceptions that dismiss it as attention-seeking behavior. Instead, Glasgow's raw and honest portrayal reveals it as a complex coping mechanism born from deep emotional turmoil, depression, and mental illness. Through Charlie's narrative, readers witness how self-harm often serves as a desperate attempt to externalize internal pain - making the invisible visible through physical wounds. The novel's impact resonates far beyond its literary merit through its comprehensive resources section. This practical addition provides vital contact information for crisis services, including 24-hour hotlines, shelter locations, and mental health resources. By including these lifelines, Glasgow transforms her work from a mere story into a potential lifesaving tool, creating a bridge between fiction and real-world support for readers who might recognize their own struggles in Charlie's journey. Charlie's path to recovery illustrates the complex, non-linear nature of healing. She experiences moments of progress followed by devastating setbacks, periods of hope interrupted by relapses, and the constant challenge of maintaining forward momentum. Through these ups and downs, the novel portrays how recovery isn't about achieving perfection - it's about developing resilience and building a toolkit of healthy coping mechanisms. Charlie learns to replace self-destructive behaviors with art, honest communication, and self-compassion. The story powerfully addresses the shame that often accompanies trauma and self-harm. When Louisa tells Charlie, "What we've done, no one will love us. Not in a normal way," she voices a fear common among trauma survivors. However, the community Charlie builds in Tucson - including Riley, Blue, and others - demonstrates how connection and acceptance are possible even with, and sometimes because of, our wounds. These relationships show that authentic healing often comes through allowing others to witness our vulnerability rather than hiding it. The novel's most resonant message emerges through its exploration of transformation. Charlie's scars, both physical and emotional, become part of her story rather than its entirety. She learns that healing doesn't mean erasing the past but integrating it into a new narrative. Through art, friendship, and gradual self-acceptance, Charlie discovers that being broken doesn't mean being beyond repair - instead, it can be the foundation for building something new, like kintsugi, the Japanese art of repairing broken pottery with gold, making it more beautiful for having been broken. "Girl in Pieces" ultimately stands as a testament to human resilience, suggesting that our worth isn't diminished by our wounds. The novel reminds us that everyone carries scars of some kind, and it's through acknowledging and accepting these marks that we find our way to authentic healing and genuine connection with others.

★★★★★

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Thèmes clés dans En mille morceaux

self-harm recovery
selective mutism
homeless youth
intergenerational trauma
artistic expression healing

Citations de En mille morceaux

Charlie has "cut all her words out" because her "heart was too full of them."
"We are all here to get better," which Charlie interprets as acknowledging they're all "presently shit."
"That time, I tried so hard to fucking die. But here I am."
"when the blood comes, everything is warmer, and calmer."
The desert setting represents both opportunity and danger for Charlie.

Personnages de En mille morceaux

Charlie DavisThe protagonist, a girl recovering from trauma
LouisaCharlie's roommate at the Creeley Center
CasperThe group therapist at the psychiatric facility
EllisCharlie's former best friend
MikeyA boy from Charlie's past who helps her move

À propos de l'auteur

Kathleen Glasgow est l'autrice à succès du New York Times de Girl in Pieces et une voix primée de la fiction contemporaine pour jeunes adultes explorant la santé mentale, l'automutilation et le chemin vers la guérison. Titulaire d'un MFA en poésie de l'Université du Minnesota, Glasgow s'appuie sur ses propres expériences de traumatisme et de rétablissement pour façonner des récits bruts et authentiques qui résonnent profondément auprès des lecteurs adolescents confrontés à des défis similaires. Elle a passé neuf ans à écrire Girl in Pieces, créant ce qui allait devenir une sélection du Target Book Club et un livre d'honneur Amelia Walden.

Les autres romans acclamés de Glasgow incluent How to Make Friends with the Dark (un livre d'honneur de l'ILA), You'd Be Home Now et The Glass Girl, qui a été nommé Livre de l'année pour jeunes adultes par Target en 2024. Elle a également coécrit la série de mystères à succès The Agathas et The Night in Question avec Liz Lawson.

Basée à Tucson, en Arizona, Glasgow écrit pour The Writer's Almanac, et ses livres ont été publiés dans plus de 24 pays.

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@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

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Chapitre 5

En mille morceaux

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Un livre. De nombreuses façons de l'écouter.

Shattered and Mended: A Journey Through Darkness

The Silent Girl with Scars to Tell

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Broken Pieces of a Shattered Past

Escape to the Desert

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The Dangerous Dance of Love and Addiction

Art as Salvation

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The Community of Broken People

Finding Voice After Silence

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The Courage to Begin Again

Healing Through Scars: The Lasting Impact

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1,000,000+ curious minds.

1,000,000+ curious minds.

Un livre. De nombreuses façons de l'écouter.

Shattered and Mended: A Journey Through Darkness

The Silent Girl with Scars to Tell

Voyez chaque mot au fil de l'écoute

Broken Pieces of a Shattered Past

Escape to the Desert

Profitez davantage de En mille morceaux

The Dangerous Dance of Love and Addiction

Art as Salvation

Voyez chaque mot au fil de l'écoute

The Community of Broken People

Finding Voice After Silence

Profitez davantage de En mille morceaux

The Courage to Begin Again

Healing Through Scars: The Lasting Impact

Vous êtes arrivé au bout de En mille morceaux

Les utilisateurs ont aussi aimé

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Aperçu de En mille morceaux