
Dostoevsky's psychological masterpiece plunges readers into a murderer's tormented mind. Ranked among the world's greatest novels, this 1866 classic inspired existentialist philosophy and countless adaptations. Even Woody Allen couldn't resist its dark allure in "Crimes and Misdemeanors." Ready to confront your own morality?
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What drives a brilliant young man to murder? In the sweltering summer heat of St. Petersburg, Raskolnikov-a former student living in abject poverty-convinces himself that killing a "worthless" pawnbroker would benefit society while solving his financial problems. His cramped garret room with peeling yellow wallpaper mirrors his spiritual death, a coffin-like existence where his mind fractures under its own contradictions. Raskolnikov has developed a theory dividing humanity: "ordinary" people must obey laws, while "extraordinary" individuals (like Napoleon) may transgress moral boundaries for the greater good. The brilliance of this psychological portrait lies in how we understand Raskolnikov's twisted logic without endorsing it. We witness his elaborate justifications-the pawnbroker is "a louse," someone whose death would benefit others-while simultaneously seeing glimpses of his better nature through spontaneous acts of generosity. When he finally commits the murder, the carefully planned crime immediately unravels when the pawnbroker's innocent sister unexpectedly appears, forcing him to kill her too. The visceral details-the axe striking bone, trembling hands, growing panic-reveal how quickly grand philosophical justifications crumble in the face of brutal reality.
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Cree par des anciens de Columbia University a San Francisco
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Cree par des anciens de Columbia University a San Francisco

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