
Angela Davis's American Book Award-winning masterpiece unveils how Rainey, Smith, and Holiday's blues transcended music to become revolutionary feminist expressions. Through 200+ song transcriptions, Davis reveals how these pioneering Black women challenged racism and patriarchy, forever reshaping our understanding of resistance through art.
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Picture a smoky tent in rural Georgia, 1923. Ma Rainey steps onto the stage wearing a headpiece with a thousand feathers, her neck heavy with gold and pearls. The crowd roars-not just because she's about to sing, but because she represents something revolutionary: a Black woman who travels where she wants, says what she thinks, and gets paid handsomely for it. When she opens her mouth to sing "Prove It on Me Blues," declaring "They must've been women, 'cause I don't like no men," she's doing more than performing. She's creating a blueprint for resistance that will echo through generations, from Billie Holiday's haunting protest songs to Beyonce's "Formation."
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Cree par des anciens de Columbia University a San Francisco
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Cree par des anciens de Columbia University a San Francisco

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